I Wish I Could Cry With Your Eyes

For generations, Sa Bastida has been much more than a house: it has been a refuge, a witness, and a vital centre for the Barceló family. Today, however, solitude has settled into every room, and Joan, the last one who remains, carries the living memory of all that it once was. As the arrival of new rhythms, infrastructures, and urban landscapes threatens this fragile environment, the documentary delves into the tension between the persistence of the past and the relentless advance of modernity. With an intimate and contemplative gaze, Dear Sa Bastida portrays not only the physical decay of a home, but also the emotional and symbolic value of a space that is quietly fading away. It is a tribute to the spaces that disappear, to the people who endure within them, and to the need to preserve memory before progress completely erases what defines us.

A film in which the author seeks to express the love he feels for the central figure of the family: his grandmother. By documenting her daily life and interviewing family members about their feelings toward her, this documentary becomes a love letter.

The author proposes, drawing on elements of essay film and magical-poetic realism, a sense of disorientation, a longing for affection, the acceptance of loneliness, and ultimately the rediscovery of love. This is represented through dreamlike spaces and a mutable perception of time.

After his grandfather’s death, Toni Tomàs watches as life in the countryside and within his family begins to change. His grandmother, affected by grief, slowly starts to see the light again, while his father, with calmness and firmness, tries to restore order and ensure that the loss of the grandfather is not too deeply felt. Toni Tomàs reflects on his father and the way he faces the loss, in an effort to understand his family.