A Palavra e o Cerrado

A portrait of the churches surrounding the Diocese of São José dos Pinhais.

Savella recalls an old story, an old knowledge, reads Buñuel and prepares his drink, Pinga Seca.

João is disenchanted with life and spends his days working at a video store. Without warning, a new client appears and makes him a proposal.

Savella travels to Italy. There, he discovers Rome, its landscapes and monuments. He remembers, among the ruins, where he came from and what motivated him to leave and return.

Film-study about cities based on the free association of ideas, with two interpreters who wander through the center of Curitiba.

During the COVID-19 pandemic lockdown, two strangers connect through emails, sharing their experiences of isolation. Between empty streets and open windows, the town plots an encounter.

A student goes up João Gualberto Street on a bicycle while the third world is about to explode.

Luiz Antonio Guinski's airplanes pervade the boundaries between image and word, composing a body of work that destabilizes matter to explore drawing, chance, symmetry - the body and the machine.

After losing his home, town, work and love, a poet travels far away and eventually finds the way back through parallel dialogues with his absent friends.

Portrait of Brazilian film critic Lelio Sotto Maior Junior.

An old man builds houses to protect his home.

José, born in São José dos Pinhais, Paraná, wants to learn more about his town's history. To do so, he schedules a conversation with historian Maria Angélica Marochi at the Municipal Library. While they talk, a strange figure walks through the rural landscapes of São José dos Pinhais, searching for a distant past.

The Miringuava dam is being built to ensure public water supply around the municipality of São José dos Pinhais, Brazil. Changes are inevitable, and many residents of the surrounding area suffer from the conditions imposed by the Government's project.

The bad day of a film buff at the Cinematheque. A stranger projects herself on the screen and changes its course.

Anezia dos Santos talks about her childhood in Votorantim Factory's Workers' Village.

Wandering, reading, writing, talking, stalking and arsoning in Curitiba.