The Caine Mutiny Court-Martial

An old teahouse in Beijing serves as the stage for a drama that unfolds over several tumultuous decades of modern Chinese history, from the waning days of the Qing dynasty to the eve of the People's Republic.

Teahouse, written by Lao She and co-directed by Jiao Juyin and Xia Chun, premiered in 1958 and has been staged more than 700 times at the Beijing People’s Art Theatre to date. It represents the highest achievement of New China’s spoken drama and has become the "treasure of the theatre" for BPAT. Embodying the artistic style of the Beijing People’s Art Theatre, Teahouse not only laid the foundation for its realist creative approach but also pioneered a distinct performing school of BPAT, making it a classic work in the nationalization of Chinese spoken drama.The cinematic theatre production Teahouse is a high-definition filmed version. An all-star cast including Liang Guanhua, Pu Cunxin, Yang Lixin, He Bing, Wu Gang, Gong Lijun and Feng Yuanzheng brings to life the rise and fall of the "Old Yutai Teahouse" over half a century. Retaining the authentic performing style, the film showcases the exquisite acting skills of these performing artists.

Zhang Juzheng, a play written by Xiong Zhaozheng, winner of the Mao Dun Literature Prize, and co-directed by Feng Yuanzheng and Yan Rui, adopts an alternating dual narrative of reality and unreality to depict the inner journey of Zhang Juzheng, grand secretary of the Ming Dynasty, during his reforms. From the mortal world to the wider realm, from the rivers and lakes to the imperial court, dramatic conflict runs throughout the work, which, amid echoes of history, inquires into the fate and aspirations of the reformer.On stage, three dragon thrones of different sizes and eight red pillars form a freehand stage design. The cinematic theatre production uses distinctive narrative shots to capture the cast’s delicate and precise performances, fully amplifying the stage audio-visual effects and creating a beauty of oriental artistic conception.

As the Year of Gengzi arrives, drastic changes unfold one after another...Within the legacy of the Manchu banners, sheltered by their ancestors, they indulge day after day in bygone glories, helpless and resigned.At the foot of the imperial city, swept along in the torrent of history, they follow hesitantly, struggling to make choices that shape their lives.They embody the blood and tears of a nation’s past; they are the common folk immortalized in the writings of later generations.

Teahouse, written by Lao She and co-directed by Jiao Juyin and Xia Chun, premiered in 1958 and has been staged more than 700 times at the Beijing People’s Art Theatre to date. It represents the highest achievement of New China’s spoken drama and has become the "treasure of the theatre" for BPAT. Embodying the artistic style of the Beijing People’s Art Theatre, Teahouse not only laid the foundation for its realist creative approach but also pioneered a distinct performing school of BPAT, making it a classic work in the nationalization of Chinese spoken drama.The cinematic theatre production Teahouse is a high-definition filmed version. An all-star cast including Liang Guanhua, Pu Cunxin, Yang Lixin, He Bing, Wu Gang, Gong Lijun and Feng Yuanzheng brings to life the rise and fall of the "Old Yutai Teahouse" over half a century. Retaining the authentic performing style, the film showcases the exquisite acting skills of these performing artists.

This is a chat variety show for dinner, created by Dou Wentao, a famous media person and cultural celebrity, and Youku "Looking at the Ideal". The initiator Dou Wentao invites three old friends and guests to restore the chatting scenes in real life. The topics are all-encompassing, look at the world, and inspire infinite thinking.

A devoted professor’s neglect sparks a divorce, but after his drug research brings him fame and fortune, his estranged wife realizes their deep bond and, with the support of family, they rediscover love.

At the beginning of the 20th century, Weng Quanhai, a descendant of the famous 'Menghe Medical School', draws on the strengths of all the medical schools to protect and develop Traditional Chinese Medicine. As he leaves his hometown for Shanghai to embark on his inherited career. After some turbulent twists and turns, he eventually becomes a famous doctor in Shanghai with noble medical ethics and exquisite medical skills. His celebrated path takes a severe turn when in 1929, the National Government passes a Repeal Act on Traditional Chinese Medicine. Weng Quanhai, furious about this legislative ban is subsequently elected as the representative of all Traditional Chinese Medicine Doctors to protest the Act. His reputation and fame grow even further. But transformation is ever present. Facing the fall of Shanghai, Weng Quanhai actively participates in the anti-Japanese war, making ever greater contribution to the protection of Traditional Chinese Medicine.

It talks about the ups and downs experienced by a pair of young people from the first year to the tenth year of their marriage.

During 1930s Minguo in the nation's capital, opera performer Xiao Jun Sheng is arrested for the murders of five women at the peak of his career after a witness, Master Na, claimed to see him at one of the crime scenes. Jun Sheng is subsequently poisoned in jail with his death made to appear as a guilt-driven suicide, and his wife is forced to flee with their two young children. Eighteen years later, to carry out the final wish of their now departed mother, Ke Lan and Ming Xuan return to the capital to clear their father's name and uncover the truth. Ke Lan decides to enter the Na household as a servant while Ming Xuan joins the police force.

A young girl from the city is sent out to work in a village of Dai people in China's cultural revolution. Here she learns to enjoy being young and gains a new outlook on life.

Xiao Dou is a shy and naive mailworker living in Beijing with his sister. When a coworker is fired for reading people's correspondences Xiao Dou takes over the same mail route. He soon finds himself indulging in the same curiosity, eventually developing an obsession. Xiao Dou chooses to spend time reading letters instead of socializing with friends or coworkers. As he becomes increasingly tied to the letters, he begins to intervene in the lives of those who write and receive the letters.

A con-team couple head west after taking a city businessman for his BMW. But an encounter with a naive young carpenter traveling home with his life savings challenges their fate as thieves.