The Wasteland

Three friends, who are also young filmmakers, decide to write and shoot a film, starting from the disheartening realization that they only have one roll of film. They contact acquaintances and film producers, even getting involved in long soccer games to please the latter. In the end, they succeed in their endeavor, but... what an effort!

Viterbo, 1250. Rosa is a young girl who, after a night vision, begins to preach the words of St. Francis in the streets. One day she is sent into exile. Short in a medieval setting, between ancient villages and naturalistic locations, focused on power conflicts: political, religious and gender.

While on a road trip, a man and his sister pick up two hitchhikers (Brad Renfro, Vinnie Jones) on the run for murder and armed robbery.

Wounded at the Battle of Lepanto and recoverying in a Messina hospital, Miguel de Cervantes experiences a vision amidst fever and hallucinations. From the flames of burning books, Don Alonso Quijano is born—a man driven mad by tales of chivalry who transforms into the knight-errant Don Quixote. Accompanied by the simple Sancho Panza, lured by the promise of an island to rule, Quixote embarks on a quest where inns become castles and windmills turn into giants. Despite the cruel mockery of bored nobles and a series of crushing defeats, his madness reveals a disarming purity: he fights solely for justice and freedom, even as the world laughs. Betrayed and humiliated, he is eventually brought home in a cage, unable to survive without his ideals. As he dies, the scene shifts back to the Sicilian night: from the pain of war, Cervantes has forged a masterpiece—the stubborn dream of a more liberated humanity.