Lo Noy

Argentina is a country with an extensive and varied cinematography. Within this enormity, there is a rare, atypical… bizarre cinema. Bizarrofilia aims to investigate the origin and meaning of the word “bizarre”, how the passage of time implies reinterpretations of some works, and focuses on the contemporary production of films that aim to distance themselves from any mimetic representation of reality… although in a country like ours reality always surpasses fiction.

Amid the sweltering summer heat in northern Argentina, two middle-class families retreat to a crumbling country estate and a modest townhouse, where strained relationships, simmering tensions, and the presence of children and servants quietly expose the fractures of family life. Between idle days, gossip, and unspoken desires, the boundaries of class, tradition, and faith are reflected in their everyday interactions.

A history of Argentine horror cinema, from its beginnings in 1934 to present day. It is a path of defeat, dead-end streets and triumphs, where the protagonists will lead us through the lesser known hallways of local horror.

A wife tries to leave her village to get away from her abusive husband.

Fifty-five little girls from Tandil reflect on love, success and the transition to adulthood. Through their voices, the film builds an intimate, ensemble portrait of the doubts, dreams, and questions that accompany growing up.

25 years ago a group of poets participated in a documentary about an ethylic competition around bars of Buenos Aires.

Documentary that portrays the world of the modern clown from his own imagination. The interviews are spun within a fable invented and improvised by the clowns.

The documentary highlights Argentina's main parasitic epidemic, the multiple dimensions it encompasses, and the work of health workers and researchers who are trying to contain it.

An analysis of the social, cultural and institutional environment that surrounds the problem of gender violence in Argentina based on the story of the survivor Ivana Rosales. In addition, the patriarchal network of power that runs through institutions, and the role of the media and stereotypes. A documentary by Susana Nieri.