Adultery is Something You Want to Do No Matter How Old You Are

When the all-girl gang, The Bombers, kidnap a man to use as their personal sex slave, S&M Hunter accepts the mission to infiltrate The Bombers' hideout and show them the ropes.

Perfect Blue: Yume Nara Samete (パーfectブルー 夢なら醒めて, Pāfekuto Burū: Yume Nara Samete) is a 2002 Japanese psychological thriller film directed by Toshiki Satō and adapted from the novel of the same name by Yoshikazu Takeuchi. The story centers on Ai, a teen pop idol transitioning to a recording career, whose life unravels amid fixation from a obsessive convenience store clerk, leading to themes of distorted self-perception, narcissistic delusions, and violent events.

In the wake of the social unrest caused by the 1923 Great Kanto Earthquake, two female sumo athletes, Kiku and Tokachi, and an anarchist group called the Guillotine Society, spark an unlikely connection.

Fearing dead-end futures, abused schoolgirl Alisa and neglected housewife Harumi plan a new life together, bankrolled by a bag of stolen cash. But with an incestuous father and a jealous mother-in-law in hot pursuit, their journey to the other side of the night becomes longer — and stranger — than they could’ve expected.

Tsumugi, a girl with a crush on her teacher, discovers that the teacher is having an affair with another teacher. Complications ensue after Tsumugi manages to attract her teacher, but then begins falling for a fellow student.

A black clad woman murders a man that she had just met by chance through a phone sex club.

35-year-old Asuka works in a lakeside fish factory. She’s about to be married to her boss, Taki, but one day, she encounters a kappa – a water sprite found in Japanese folklore – and learns that the creature is in fact the reborn form of Aoki, an old crush who’d drowned when they were 17.

A middle-aged man walks up to young man who is sitting under a tree and shoots him. The film then flashes back to 1981, where a young woman steals a car with a baby strapped inside. She decides to raise the child as her own, and teaches him to shoplift from stores while she works as a prostitute. She strikes up a relationship with a convenience-store clerk, and the two eventually settle down together.

When he is hit by a car on the street, the young man Daikoku foresees the monster Demking appearing at the end of the century. In preparation for the coming confrontation with the Demeking, he organizes a modern-day Seven Lucky Gods composed entirely of antisocial people. This is a utopian epic that, despite the ridiculousness of the story, is the most powerful depiction of the motifs seen in the first two films, which attempt to play on the sense of apocalypse through unrealistic imagination, while staying within a tenuous sense of reality.

A young couple go on the run after the murder of his mother.

Yuji and Akiko are newlyweds. Yuji dreams of being a movie star. He lands the lead role in a Pink Eiga soft-core sex film. The director requires him to have sex with the actress. Akiko goes to her high school reunion and is raped by a drunken guy, and then hooks up with her ex-high school love. A dark and comedic look at contemporary relationships and the pitfalls of married life. The story was written by Locarno International Film Festival, Golden Leopard Prize Winner, Masahiro Kobayashi. (Pink Eiga)

A bar in Shinjuku 2-chome. Toru is the manager of this bar, but one day, the owner, Ishii, suddenly passes away. The bar is to close, and Toru receives a list of regulars from Takano, the accountant, and decides to start a journey to collect retirement benefits. Together with Kenichi, the bar's number one, they borrow Ishii's old car and set off to northern Kanto. First up is Sato, a company president with a foot fetish. Although married, he can't stop playing around with men, and whenever he comes to Tokyo, he requests Kenichi. In order not to let the people around him know, he gives Kenichi more money than the tab. Next is Yamamoto, a city council member in the local assembly. A born sadist, he likes to tie Kenichi himself or have a young bondage artist tie him up, and then watch it happen. Kenichi continues on his journey, but he has another goal: to meet Shouji, a man he used to date...

Asako, who has been married for eight years and has no children, is dissatisfied with her husband who comes home late every night, but she lives peacefully with him after he stops his unfaithful habit. However, a man she meets at a bowling alley with her neighbor Michiko and a beautiful woman who Asako's husband is interested in, cause changes in their lives.

Shinji Imaoka’s debut film about three men, a woman, and a dead body.

Kenji breaks up with his girlfriend and goes to stay with his brother, Ryosuke, who is married but is having an affair with a local waitress. It becomes clear quickly that Ryosuke is unhappy with his marriage to Haruyo, who desperately tries to get them to reconnect. One night Kenji goes out alone, to see the mistress of his brother...and they fool around.

As a newspaper reporter listens to the confession of a wife who murdered her husband, the film shockingly depicts the process by which she discovers why she killed her husband, why she started working on street corners, and how she became deeply immersed in an affair that began as prostitution to relieve boredom...