The Deep End

Bregenzs Tales of Hoffmann is different from everything you saw before. The New York Times praised the thoughtfulness and creativity of Stefan Herheims new production, devised by the director as a search for ones own self in a sparkling drag show. A shining-toned (NYT) Hoffmann is embodied by tenor Daniel Johansson in the title role. He is supported by a fantastic cast: Rachel Frenkel is positively ideal as Muse and Niklausse (Kurier), Kerstin Avemo as Olympia is endowed with brilliant, cheekily extemporized coloraturas (Neue Zürcher Zeitung), Michael Volle sings the parts of Lindorf, Coppelius, Dr. Miracle and Dappertutto, the works four villains, with warmth and intensity (NYT) and Mandy Fredrich is a finelyphrased Antonia (Kurier).

After many years of wandering around the world, an anxious composer chooses love over art. But it may be too late to salvage either. Franz Schreker was a popular composer in the early decades of the 20th century, until his music was banned by the Nazis because he was of Jewish background. Der ferne Klang, his first major work, is a late Romantic opera of grand passions. Director Christof Loy is back at the Royal Swedish Opera with a production set in a dreamlike mise en scène.