Together We Are Stronger

Short film about a Bosnian miner.

The camera enters one of the Yugoslav prisons and records the life of prisoners. The dominating idea, above all, is that a man without freedom is a man without a face.

Between myth and reality, between peace and disaster, between politics and religion. In a small place called Grabovica, everything runs quietly and slowly, everything is functioning properly until one day in the city appears a man who poses as a journalist and who brings the news that we should close the only school in the whole region due to lack of students. The news disrupts the inhabitants of the whole town and the whole situation will lead to a boiling point when you expose the that the man or the husband of a local teacher and the father of her newborn child.

Jagoš is a former immigrant worker, and the plot depicts his trial for hitting an acquaintance with a bottle in a pub. During the trial, Jagoš recounts his time as an immigrant worker in Germany and France and his friendship with an African immigrant.

Adem, a Bosnian coal miner who spends his days digging in the dark depths, and in very harsh conditions, is praised for his work and achievements and known as an exemplary socialist worker.

Jovana lives alone with two young sons, while her husband is temporarily working in Germany. In addition to all the work in the fields and the kitchen, she is also building a new house. Handymen Relja and Milos show undisguised sympathy for her. Suddenly, the husband returns and brings new problems.

An-ex convict nicknamed Al Capone, who spent six years in jail, tries to adapt in new environment. Members of the two rival gangs try to engage him in their new ventures, but he wants to make a new start with the girl he loves. At the same time, a young criminal who shares the same nickname replaces him in these actions.

A married woman is living an unexcited life, until she meets a man who is able to put a smile on her face again, at least for a couple of days.

After the end of WW2 a blonde boy arrives at an orphanage made for the children of Partizans or people being killed in the war. The headmaster knows that the boy's parents were Nazis but conceals that fact from others, fearing violence by vengeful children. He invents the boy's life story, but the other children get suspicious.

In 1920s Soviet Russia, a fallen aristocrat, a priest and a con artist search for a treasure of jewels hidden inside one of twelve dining chairs, lost during the revolution.

An absurd depiction of the communist revolution in Yugoslavia after World War II, the film primarily follows a group of young partisans who are placed in the home of a pre-war bourgeois family. The family then tries to adapt to the new ideology and values, often leading to various absurd situations.

Silent Gunpowder (Serbo-Croatian: Gluvi barut) is a Yugoslavian war film Based on a novel by Branko Ćopić and set during World War II, the film tells the story of a Serbian village in the mountains of Bosnia and its villagers who found themselves divided along two opposing ideological lines, represented by the Chetniks and the Partisans. These two opposing sides are personified in the Partisan commander Španac and a former Royal Army officer Radekić. Španac sees Radekić as the cause of villagers' resistance to the new, Communist, ideology and so the main plot axis is the conflict between them. At the 1990 Pula Film Festival, the film won the Big Golden Arena for Best Film, as well as the awards for Best Actor in a Leading Role (Branislav Lečić), Best Film Score (Goran Bregović). The film was also shown at the 1991 Moscow International Film Festival, where both Branislav Lečić and Mustafa Nadarević won the Silver St. George Award for their performances.

A village fella tries to make it big in the city.