Wow! A Talking Fish!

Panos is one of the unluckiest men in the world. One day, while he was swimming in the lake, some villagers found his clothes on the shore and announced he had drowned.

A clever boy punishes a greedy landlord. Based on the Armenian folk tale by Hovhannes Tumanyan.

Musical fantasy based on Armenian fairy tales.

Animated short about presidential elections of 1991 and its consequences in the Armenian people’s life under the rule of Pan-Armenian National Movement. Based on a song by Armenian poet and songwriter Ruben Hakhverdyan.

"...whoever tells me a story and I say, "It's not true, I don't believe it," will receive half the kingdom as a reward." decided the bored king.

An animated adaptation of twelve of Shakespeare's best-known plays. The series was produced by S4C for the BBC, but animated by some of the foremost artists of Soyuzmultfilm, the former Soviet Union's main animation studio. Each 26-minute play is directed by a different animator, in a wide variety of styles: cel animation for Macbeth, stop-motion puppets in Twelfth Night, and paint on glass for Hamlet.

Every time a Soviet apparatchik presses a button, something explodes.

Not everybody is endowed with a vivid imagination. One person can imagine paradise, yet the other one can only imagine himself as being the boss.

For Hasan the cobbler, the skins he sewed become a scourge, and one day they even "kill" a person. Baregut Sultan makes a verdict and the skins are hanged in the square.

The king goes out onto the streets of his kingdom to find out how his people feel about him.

A young boy spends his entire day working in the fields, enjoying the company of animals, and joyfully singing along with them.

The magical trolls are in for a night full of ghosts and goblins as they enter the "Castle of Doom" on Halloween night.

Three stories about naive and deceitful people, a talkative mouse, and a foolish king.

Four characters sing while on an animated odyssey in a yellow spaceship. Through their adventures they explore the idea of how western culture and media had begun to permeate Armenia in the 90's and 00's. While romanticizing classic Armenian folklore and, to an extent, the Soveit era in Armenia. The era in which director Robert Sahakyants lived most of his life.