Mal d'Africa (The Rainbow Stories)

Still life with electric current, stop-motion animation.

Acid on 35mm film countdown and black leader.

7 April 2006 Alberto Grifi, a year before his death, is interviewed for the last time by Roberto Silvestri and canecapovolto. What emerges in the interview is the portrait of an underground filmmaker who was always intrigued by the dual aim of pursuing scientific and artistic research simultaneously, and whose cinema, influenced by Grotowski's method, was made by people whose objective was to understand how life works by interpreting roles that allow them to live experiences which were totally different from their own ones.

Short movie by canecapovolto.

An experiment at “montage” which adopts the structure of minimalist music and delves into the issues of live sound recording. This work is inspired by the novel “L’uomo a tre gambe” by Julius Evola, from which it inherits the extremely repetitive structure.

19 collages realized during the making of Abbiamo un problema.

Stereo consists of thirty 30-seconds structures filmed in super-8mm, video8 and dv. The 30 drones are all titled, numbered and conceived to work as autonomous organisms as well as part of a whole narrative machine; these boxes contain fiction, stolen-images, still lifes, found footage and documentaries fragments.

A tale of friendship and heresy inside the stomach of the Society of the Spectacle. An Expressionist Cinema exercise.

The dog can easily be trained by Man. This happens because the dog itself allows it. Man created God because He needed an entity that would eventually order Him to start wars and genocides. A film-essay about the use of animals for religious purposes.

Stereo consists of thirty 30-seconds structures filmed in super-8mm, video8 and dv. The 30 drones are all titled, numbered and conceived to work as autonomous organisms as well as part of a whole narrative machine; these boxes contain fiction, stolen-images, still lifes, found footage and documentaries fragments.

Stereo consists of thirty 30-seconds structures filmed in super-8mm, video8 and dv. The 30 drones are all titled, numbered and conceived to work as autonomous organisms as well as part of a whole narrative machine; these boxes contain fiction, stolen-images, still lifes, found footage and documentaries fragments.

Talking about the story of the Gaza genocide with other images and other words is possible. The discovery of some slides in a high school in Catania is the starting point for analyzing the origins of Israel's military occupation of Gaza by resorting to the etymology of the words used to describe what expressions like "terrorist" or "military occupation" mean, while the drawings of Amos, an Israeli child who portrays his imaginary friend Anya under the worried gaze of the babysitter May Golan, point out that most horror stories have deep roots in everyday life. Invention and black humor try to overcome the (denied) reality of an apartheid and a normalized genocide, exposed and simultaneously removed.

Sergeant Aaron is interviewed in a wood, Aaron is mentally retarded, he was seriously injured during the First and Second Gulf War. Even if his brain has been carefully programmed, childish patriotism and extreme cynicism are harmoniously mixed together

In the pocket conversation-books Italian-German and Italian-English there is something missing; this has happened for years and no one consciously face this ambiguity.

“The Lord is a great warrior. His name is The Lord” Exodus: 15,3. From World War II to the final battle (caused by the commercial invasion of China in Africa), “An Example” shows how the American foreign affairs policy has been influenced by the Old Testament and how the image of a modern God of War on the background of the military industry profit was built.