As Above, So Below

In the midst of the Black consciousness movement, a basketball player imagines his profession to that of a gladiator. After a series of reflections including his upbringing as a foster child of White Americans, he returns to his origins.

A documentary film about the Afro-American Woodstock concert held in Los Angeles seven years after the Watts riots. Director Mel Stuart mixes footage from the concert with footage of the living conditions in the current-day Watts neighborhood.

Host Scott Forrest presents a curated compilation of eight independent short films in this rapid-fire science-fiction feature. Genres collide, narratives twist, aesthetics clash, and even humor, both campy and dystopian, showcase the vast creative possibilities of each story's individual world, offering the viewer a brief glimpse into the lives of every character's attempt to survive the otherworldly chaos around them. Released in 2001, the selected shorts span original creation dates of 1997 to 2001; most of the featured filmmakers also appear as themselves in short video interviews to talk about their inspirations, creative process and motivations while working on their individual shorts.

Eddie Warmack, an African American jazz musician, is released from prison for the killing of a white gangster. Not willing to play for the mobsters who control the music industry, including clubs and recording studios, Warmack searches for his mentor and grandfather, the legendary jazz musician Poppa Harris.

This critically acclaimed 1973 short is about an aristocratic white farming family who has a horse that is being put away, by the father of a young black boy named William. William cares for said horse in its last moments, as the male family members eagerly wait for his dad to arrive.

Writer-director Larry Clark fashions a moving drama about a horse trainer who comes home after years of estrangement, only to find that a corporate entity has made an aggressive play to take over his uncle’s ranch.

A young African American man drives through South Central thinking about revolution, Malcolm X, racism, capitalism, and war in Vietnam. Midway through, the film switches over to the thoughts of a young African American woman who is thinking about revolution and Angela Davis.