Stéphane Audran, la complice de Chabrol

Jacques Rozier or the fierce, independent itinerary of a filmmaker in perpetual disarray, admired by his peers and pampered by the critics.

We thought we'd seen, read, and heard everything there was to see about the Cannes Film Festival, from the glitz and gossip to the scandals and censorship. And yet, Emmanuel Barnault's "Morceaux de Cannes" (Pieces of Cannes), by this leading expert on Italian and French cinema, convinces us otherwise. The third largest event in the world (after the Olympic Games and the FIFA World Cup) reveals its secrets only sparingly, as this film attests. The result of passionate research in the INA archives, these 52 minutes, without interviews or voice-over narration, string together rare and sometimes previously unseen footage. Taken together, they tell a surprising, original, and heartwarming story of the Festival. On the beach, on a street corner, in a restaurant, or in the privacy of a hotel room, these forgotten archives summon the greatest filmmakers, actors, and actresses of the last seventy years, from Jean Cocteau to David Lynch, for an anthology of the Festival's history.

A documentary about Marcello Mastroianni.

Since childhood, Claude Miller was mad about movies. From a cinephile he became a filmmaker, a craftsman of "mainstream auteur cinema " believing in the sensitivity and imagination of the viewer. Suggesting the most, while showing the least possible, his work is of an elegant modesty.