Mil pedazos

Blanca, student leader of the feminist movement in an occupied school, goes missing: hours later, a video of a group raping the girl goes viral. In their aim to find her, a police squad formed by three women puts their lives and that of their families at risk. As they look for Blanca and investigate, they will find out that behind this gender crime there is much more than just one offender.

1976, Aldo, an explosives expert, is exiled to Italy after mining protests. There he meets Luciana, an anarchist doctor who offers to reunite him with his family, but only if he takes up his old trade: making bombs for revolutionaries.

A stolen phone, bad decisions and many acts of clumsiness will force three neighbors from Gran Avenida – an area in the south of Santiago – to face each other.

A single mother decides to go on a trip from Santiago to the north of Chile with her only son. They are going to meet up with the child's father, a Chilean coalminer, after ten years of separation. The trip is plagued by silence, as the uneasy relationship between mother and son evolves and secrets of the past are brought to the surface, in this poignant tale of broken family ties, where what is left unsaid may carry more meaning than anything spoken.

Responsible for the deaths of a former carabineros colonel and Senator Jaime Guzmán, Ricardo Palma was serving his life sentence until 1996 when he escaped from the country's maximum security prison, becoming Chile's most wanted fugitive for more than 20 years, until February 2018 when Interpol agents arrested him in Paris.

María Cartagena is a seasonal worker in the fruit fields of an arid valley in northern Chile, to bring sustenance to her daughter and disabled husband. During the hard workday she overcomes abuse and mistreatment driven by a powerful motivation: saving enough money to visit her brother’s grave, one of the disappeared after the Pinochet coup.

In the Chile of the 1980s any attempt at innovative artistic expression was shunned, but a young underground movement decided to omit these prohibitions. Electrodomésticos was the band that leaded this resistance, more occupied with bringing the repressed Chile closer with new artistic tendencies of the world than to adhere to a specific political discourse. Within this context, at the beginning of the 1980s artists Silvio Paredes and Ernesto Medina begin experimenting with sounds as inventive as running blenders, Casiotones and recordings from local radio stations. In 1984, they meet an air traffic controller of common interest, Carlos Cabezas, with whom they form a band so groundbreaking it sounded like nothing ever done before.