Something's Afoot

The Human Jungle is a British TV series about a psychiatrist, made for ABC Television by the small production company Independent Artists for transmission on ITV. Starring Herbert Lom, it ran for two series which were first transmitted during 1963 and 1965.

Theseus, Duke of Athens, is going to marry Hyppolyta, Queen of the Amazons. Demetrius is engaged with Hermia, but Hermia loves Lysander. Helena loves Demetrius. Oberon and Titania, of the kingdom of fairies have a slight quarrel about whether or not the boy Titania is raising will join Titania's band or Oberon's, so Oberon tries to get him from her by using some magic. But they're not alone in that forest. Lysander and Hermina have there a rendezvous, Helena and Demetrius are there, too as well as some actors, who are practicing a play for the ongoing wedding of Theseus and Hippolyta. Due to some misunderstandings by Puck, the whole thing becomes a little bit confused...

Robin Hood comes home after fighting in the Crusades to learn that the noble King Richard is in exile and that the despotic King John now rules England, with the help of the Sheriff of Rottingham. Robin Hood assembles a band of fellow patriots to do battle with King John and the Sheriff.

A Home of Your Own is a 1964 British comedy film which is a brick-by-brick account of the building a young couple’s dream house. From the day when the site is first selected, to the day – several years and children later – when the couple finally move in, the story is a noisy but wordless comedy of errors as the incompetent labourers struggle to complete the house. It may well have been inspired by the success of Bernard Cribbins' classic song of the same vein from two years earlier, "Right Said Fred". In this satirical look at British builders, many cups of tea are made, windows are broken and the same section of road is dug up over and over again by the water board, the electricity board and the gas board. Ronnie Barker’s put-upon cement mixer, Peter Butterworth’s short-sighted carpenter and Bernard Cribbins’ hapless stonemason all contribute to the ensuing chaos.

A man with a sandwich-board (advert) wanders around London meeting many strange characters.

Adam West and Burt Ward are taken on a crazy adventure when the Batmobile is stolen from a car museum and they must track down the thief and return it. After solving a puzzle, they realize that the clues to finding the fiend who stole the Batmobile are hidden in their past. During the search, they flashback to their three seasons in tights, including their many sexual escapades.

A gambler tries to strike it rich at the racetrack but gets taken by a gorgeous blonde who also happens to be a crook.

When Sally moves to London to pursue a modelling career, she moves in with Angela and Dee and discovers the world of the carefree bachelor girl in Swinging London. Over one weekend - filled with parties, blossoming friendships, and romantic encounters with Keith and Nikko (Klaus Kinski) - the vivacious girls learn about life's pleasures and pains.

The Anthony Newley/Leslie Bricusse London and Broadway musical hit Stop the World, I Want to Get Off is given literal treatment in this filmization. Newley stars as Littlechap, whose allegorical rise to success is countered by the instability of his private life. Like the play, the film is staged impressionistically, with Newley decked out in mime makeup and periodically stopping the action to address the audience, and with all the women in his life -- German, American and "Typically English" -- played by a single actress (Millicent Martin, taking over from the stage version's Anna Quayle). In Wizard of Oz fashion, the play itself is lensed in color, while the brief prologue, showing the actors preparing for their performance, is in black-and-white. The production includes such standards (and perennial audition pieces) as What Kind of Fool Am I? and Gonna Build a Mountain.

A jobless Geordie shipyard worker escapes from his bleak existence into an imaginary life with the girl of his dreams, a salesgirl at a futuristic Pink Lane cigarette kiosk. This is a funny, bitter-sweet silent comedy, an odyssey through a Newcastle cityscape in transition from an industrial Tyneside to T Dan Smiths modernist vision of the city as a Brasilia of the North. Directed by Robert Tyrell, it is also a brilliant social document of Newcastle-upon-Tyne in the 1960s.