La Prière aux étoiles (film inachevé)

In the French port of Marseille, Madelon is in love with young sailor Marius. Discovering that she's pregnant after Marius sets out to sea for several years, she marries another man to prevent the child being born out of wedlock.

In a rural French village, an old man and his only remaining relative cast their covetous eyes on an adjoining vacant property. They need its spring water for growing their flowers, and are dismayed to hear that the man who has inherited it is moving in. They block up the spring and watch as their new neighbour tries to keep his crops watered from wells far afield through the hot summer. Though they see his desperate efforts are breaking his health and his wife and daughter's hearts, they think only of getting the water.

Leaping forward twenty years, the trilogy continues with the death of Fanny's husband, Panisse, and the discovery of her secret by her son, Césariot. The young man resolves to track down his biological father, Marius, whose life has been fraught with calamity and poverty.

In this, the sequel to Jean de Florette, Manon has grown into a beautiful young shepherdess living in the idyllic Provencal countryside. She plots vengeance on the men who greedily conspired to acquire her father's land years earlier.

Soon after Marius's departure, Fanny learns that she is pregnant with his child, to the disappointment of her mother and of Marius's father, César. To secure a better life for her unborn child, she accepts a marriage proposal from the aging widower Honoré Panisse.

César runs a bar along Marseilles' port, assisted by his 23-year-old son, Marius. Friends since childhood, Fanny and Marius love each other, but Marius has a secret wanderlust: every ship's whistle stirs a longing for foreign lands. When M. Panisse seeks Fanny's hand in marriage and when a departing clipper needs a deckhand, Marius and Fanny must decide who and what they love most. César, with his generous, wise spirit, tries to guide his son.

Raised by his science teacher father, Joseph Pagnol, and seamstress mother Augustine, young Marcel grows up during the turn of the century in awe of his rationalist dad. When the family takes a summer vacation in the countryside, Marcel becomes friends with Lili, who teaches him about rural life.

In this little Provencal village, a new baker, Aimable, settles down. His wife Aurelie is beautiful and much younger than he. She departs with a shepherd the night after Aimable produces his first breads. Aimable is so afflicted that he can not work anymore. Therefore, the villagers, who initially laughed at his cuckoldry, take the matter very seriously (they want the bread) and organize a plan to find Aurelie and to bring her back to the bakery.

To his chagrin, young Marcel Pagnol and his family move back to their home in Marseille, France, far from their pastoral holiday cottage in the hills. Determined, Marcel makes the long voyage back to the cottage on foot and lands himself in trouble. One day Marcel's father discovers a shortcut to the cottage, but it requires trespassing. Despite their trepidations, Marcel and his family begin using the secret trail to reach their cottage.

A rural maiden's two suitors go off to war, leaving her pregnant.

In the 1920s, the Provence is a magnet for immigrants seeking work in the quarries or in the agriculture. Many mingle with locals and settle down for good — like Toni, an Italian who has moved in with Marie, a Frenchwoman. Even a well-ordered existence is not immune from boredom, friendship, romance, or enmity, and Toni becomes entangled in a web of increasingly passionate relationships. For there is his best pal Fernand, but also Albert, his overbearing foreman; there is Sebastian, a steady Spanish peasant, but also Gabi, his young rogue relative; there is Marie, but there is also Josefa.

In 1955, 60-year-old Marcel Pagnol is a well-known and acclaimed playwright and filmmaker. When the editor-in-chief of ELLE magazine commissions a weekly column about Pagnol's childhood, he sees this as a great opportunity to go back to his artistic roots: writing. Realizing his memory is failing him and deeply affected by the disappointing results of his last two plays, Pagnol starts doubting his ability to pursue his work. That is until Little Marcel - the young boy he used to be - appears to him as if by magic. Together, they will explore Marcel Pagnol's incredible life and bring back to life his most cherished encounters and memories...

A pompous grocer’s assistant in Marseille annoys a visiting film crew so much that they prank him with a phony acting contract; believing it to be real, the “schpountz” heads to Paris for his new career.

It's the beginning of the WWII. South of France. Patricia, 18, is the oldest daughter of a well-digger, Pascal, who considers her a princess because of her moral qualities. She's kind, devoted. One day, she briefly meets a young man, Jacques, the son of Mazel, owner of the shop where her father buy his material. He's handsome and teasing. Her father's friend, Felipe, would love to marry her, and he invites her to an aviation show. She accepts his invitation only because she knows Jacques is a pilot and will be there. Soon, she'll carry his child, and he'll be gone, and the family will have to deal with this out-of-wedlock pregnancy...

"Fanny" is the second part of the "Marseille trilogy", made by Marcel Pagnol with the generic name of "Marius, Fanny and César". Fanny falls in love and is abandoned by Marius. Now she discovers she is pregnant. Her mother and Marius's father, César, persuade her to accept the romantic advances of a much older man. To save face, Fanny accepts to marry Honoré Panisse, a rich merchant of the Vieux Port, 30 years her senior who will recognize her son.