Andrea Feldman at Max’s

“Le Départ d’Eurydice” (1969) is a metaphor of the time, a sort of "documentary allegory" on the 60 s and on its “underground bohemia“. In spite of its impressionist and fragmentary aspect, in a poetic and musical structure, the film includes some narrative elements. A young writer hesitates between the love for his girlfriend and the obedience to the command of the “guru” of an artistic group which requires of him, like pledge of fidelity, to kill his love partner. He executes the Death ritual in front of the sea…but in vain.

Daddy kicks Candy out of the house because she’s been promiscuous and threw a big party.

Holly Woodlawn interview, 1973.

Tinkerbelle and Nancy North interview Coty Awards nominees at the Cinandre Hair Salon in NYC.

Kristina’s boyfriend broke her arms, so that she could not write e-mails to her other boyfriend. Now her boyfriend is threatening to brake her legs, because she is typing her e-mails with her toes. Kristina endures a number of agonies, as if searching for sainthood. She lives with an artist who sold his soul to the machine. She is a flesh and blood clock, spending endless hours standing in the window telling time with her limbs. She eats burnt red roses with thorns.

Before and after Halston's runway presentation at the 1972 Coty American Fashion Critics' Awards.

Taylor plays Carlo, a famous Italian film producer, and Cyrinda Fox plays his wife Sophia, a famous Italian movie star. Sophia, who has fired his driver Ninno, has to re-hire the driver in order to keep Carlo sexually excited so he can impregnate Sophia.

Jason Holiday in front of Max's Kansas City New York City, circa 1971 Photographed by Anton Perich Soundtrack from Portrait of Jason outtakes