The Film of Her

A short film made during lockdown.

Made by re-editing a deteriorated nitrate print of The Bells (1926), starring Lionel Barrymore and Boris Karloff, this work shows the fragility of the film image while foreshadowing the Holocaust.

The ill-fated coal mining communities in North East England are the subject of this inspired documentary by multi-media artist Bill Morrison. Their story is told entirely without words, yet the film is far from silent: it features a remarkable original score by the Icelandic composer Jóhann Jóhannsson.

Chicago, 2018. A man is killed by police on the street. Through a composite montage of images from surveillance and security footage as well as police body-cams, Incident recreates the event and its consequences, featuring vain justifications, altercations and attempts to avoid blame. Bill Morrison delivers a chilling political investigation in search of the truth.

This documentary focuses on the artistry of director Bill Morrison, who leverages decaying film stock from years past to tell new stories that are relevant to today's audiences. The decaying film lends brilliant visuals which add to Morrison's concept of storytelling.

This is an excerpt from the 60-minute film commissioned for Conrad Cummings's opera of the same title, which was produced by Ridge Theater and staged at La Mama, NYC, in June, 1992.

The true history of a collection of some 500 films dating from 1910s to 1920s, which were lost for over 50 years until being discovered buried in a sub-arctic swimming pool deep in the Yukon Territory, in Dawson City, located about 350 miles south of the Arctic Circle.

The Mississippi River Flood of 1927 was the most destructive river flood in American history. In the spring of 1927, the river broke out of its banks in 145 places and inundated 27,000 square miles to a depth of up to 30 feet. Part of it enduring legacy was the mass exodus of displaced sharecroppers. Musically, the Great Migration of rural southern blacks to Northern cities saw the Delta Blues electrified and reinterpreted as the Chicago Blues, Rhythm and Blues, and Rock and Roll. Using minimal text and no spoken dialog, filmmaker Bill Morrison and composer - guitarist Bill Frisell have created a powerful portrait of a seminal moment in American history through a collection of silent images matched to a searing original soundtrack.

A meditation on the human quest to transcend physicality, constructed from decaying archival footage and set to an original symphonic score.

Bill Morrison’s experimental short features decayed film reels from the lost, German silent film Pawns of Passion (1928).

Original Super 8 footage shot by Dr. Oliver Sacks of his patients at Beth Abraham Hospital, Bronx, NY, who were administered the drug L-Dopa in the summer of 1969 and “awakened” after decades of inactivity is featured in this cine-poem that combines archival footage with a score for solo saxophone composed by Philip Glass.

Alan is a musician who leaves a busted-up band for New York, and a new musical voyage. He tries to stay focused and fends off all manner of distractions, including the attraction to his good friend's girlfriend.

Drawing from a passage from the Rosh Hashana Service, “Who shall live, who shall die… who by water, who by fire,” this short film deals with that which has been preordained—a future history that will in time unfold before us as the faces of passengers on a ship forces us to contemplate our own fate.

Spark of Being, a close adaptation of Mary Shelley’s Gothic novel Frankenstein, explores the thematic interchangeability of three of the novel’s characters: the Captain, the Doctor, and the Creature. Spark of Being, which, as with all of Morrison's films, is dialogue-free, features Frank Hurley's original footage of Ernest Shackleton’s fated Antarctic expedition, along with a range of footage from other sources.

Atlantic Ocean, off the coast of Iceland, July 9, 2016. The surprising discovery of a canister —containing four reels of The Village Detective (Деревенский детектив), a 1969 Soviet film—, caught in the nets of an Icelandic trawler, is the first step in a fascinating journey through the artistic life of film and stage actor Mikhail Ivanovich Zharov (1899-1981), icon and star of an entire era of Russian cinema.

With darker, Bill Morrison takes inspiration from David Lang’s restrained and highly detailed score to create what he describes as a slowly lilting depiction of the sublime, in which actors, dancers, and acrobats reappear and disappear back into a bubbling morass of time. Morrison’s films often incorporate imagery from decomposing nitrate films, creating a haunting photochemical effect.