Kanne Manasulu

Tene Manasulu

Bhanumathi falls in love with Basavaraju, with whom her marriage was fixed earlier.

Maro Prapancham

Nine idealistic youngsters plan to create "Maro Prapancham", an egalitarian utopian. But when they start kidnapping children to bring them into their world, the government appoints Special CBI Officer Ravindra Nath (Akkineni Nageshwar Rao) to investigate the kidnappings.

Mastana

A poor and lonely woman strikes up a friendship with a rich but neglected child, but her parents refuse to let their child see her - until she falls gravely ill.

Jwar Bhata

A wealthy mill owner, Durgadas Prasad, hires a secretary to handle his office work. She falls in love with Billoo, who incidentally happens to be Durgadas' estranged grandson.

Doctor Chakravarthy

Dr Chakravarthi gets attached to Madhavi after his sister's death as she reminds him of his sister. However, their spouses misunderstand their relationship and mistake them to be lovers.

Velugu Needalu

The life of 2 friends suguna (Savitri) and chandram (Nageshwara Rao) is potrayed as they and people around them swing between happiness and misery ( denoted as light and shadow).

Mangalya Balam

1959 Indian film starring Akkineni Nageshwara Rao, Savitri and S.V. Ranga Rao

Thodi Kodallu

Lawyer Ganapathi and his wife Annapurna are the eldest members of a family. His brother Subbu and his wife Anusuya live in the village. The duo treats their cousin brother Gopu, who is an idealist, as their own sibling. Annapurna is a chronic patient so Gopu's wife Susheela takes care of the family. Jealous of the bonding between Annapurna and Susheela, Anusuya creates a rift between them. Gopu and Susheela move to the village. Gopu propounds cooperative farming and prospers.

Doli

Amar and Prem, college friends, and Asha and Shobana form friendships. Marriages are arranged, but dowry demands a US ticket. Prem returns, becomes office predator, and Asha endures harassment to pay off debts.

Mooga Manasulu

Mooga Manasulu is a 1964 Indian Telugu-language romantic drama film. It is based on the concept of reincarnation.

Milan

On the banks of the holy River Ganga, Gopi, a ferryman conducts an unconsummated romance with Radha, a girl from the upper classes.

Manchi Manasulu

Venu is a very poor student and seeks to come out of the hostel by being unable to bear its expenses. Thus, he shifts to a lawyer Anand Rao's summer-house, who gives it to him free of cost. Venu has a brother who is a blacksmith and funds Venu's studies and his daughter's needs in their village. Anand Rao's wife doesn't agree to give their summer house to a bachelor, so Anand Rao insists that he is married.

Kumudham

Kumaran, who is married to Kumudha, takes the blame for a murder he did not commit. Convinced of his innocence, his former lover sets out to unearth the truth, which involves Kumaran's brother-in-law.

Manjal Mahimai

Manjal Mahimai (English: Power of Turmeric) is a 1959 Tamil language drama film, produced by D. Madhusudhana Rao under Annapurna Pictures and directed by Adurthi Subba Rao. Starring Akkineni Nageswara Rao, Savitri in the laed roles and music composed by Master Venu. The film is based on Aasapoorna Devi's Bengali novel Agni Pariksha which was first remade as Telugu movie Mangalya Balam (1958); both the movies are made simultaneously by same banner & director and some of the scenes & artists are same in both versions. It was later remade as Hindi movie Chhoti Si Mulaqat (1967) with slight changes, starring Uttam Kumar, Vyjayanthimala in pivotal roles

Ellam Unakkaga

Anandan and Venkatachalam are friends. Venkatachalam's daughter Sarala, following an accident, loses her ability to walk. A doctor informs Venkatachalam that he treated a similarly handicapped woman, who in the process of giving birth to a child, was cured and could walk again. Inspired, Venkatachalam marries off Sarala to Anandan, deciding that if Sarala is not cured within two years, the marriage will dissolve and Anandan can marry any other woman he wants. Anandan and Sarala live a happily married life. Sarala gives birth to a child, but is not cured of her handicap. However, Anandan refuses to abandon hope. The rest of the film revolves around what happens to the many problems of the characters.