VOID

One night, a man must confront a past trauma, realizing he is no longer the victim, but the perpetrator himself.

A man who cleans up crime scenes for organized crime discovers, during a job, a young woman still alive, hidden inside a wardrobe.

Lucio has a daily addiction: his smartphone. He fills every empty moment out of fear of boredom, because with it come thoughts he would rather not face. It is not boredom alone that he is trying to escape. Behind every notification, video, or sound—behind each repetitive gesture and every compulsive scroll—lies the attempt to silence a familiar, grey reality that suffocates him and leaves him alone.

A man suffers in silence, sitting on the steps of a church at night, seemingly having come to terms with the mistake he has made—a murder. He awaits his punishment: the arrival of the police, called by himself.

Some studies suggest that after a person’s death, the brain continues its activity for another seven minutes, during which one can relive their entire life. But if it were possible to choose what to relive, as a final test, what would happen? Enea decides to relive his own death, to discover who killed him and why. But is this the right way to honor the time that has passed? Or does death, like life, offer no explanations?

Alberto is a quiet, solitary eighteen-year-old who prefers to lose himself in the pirate escapades of Captain Morgan and Admiral Coen rather than face a reality where socializing feels difficult. At school, bullies harass and provoke him, making keeping to himself the safest way to avoid trouble. But there is also Sofia, a classmate who, by taking a step forward and reaching out to him, helps Alberto overcome his fears and opens the door to a new perspective.