Paris, Capital of the XXIst Century

Amusing ARTE Special with SEX PISTOLS, CLASH, GENERATION X, DEAD BOYS, DAMNED, and more This rare documentary covers three very influential years in the shaping of punk rock: 1976-1979. more... Punk rock music was emerging as a solid genre, standing apart from the fuzzed out garage rock that came before it. This video documents the bands that pushed the envelope--The Clash, Sham 69, Generation X, The Dead Boys, X-Ray Spex...Some cool footage...newsreels on Sid Vicious' killing of Nancy Spungen, overdose... and more!

High-profile conflicts within the music industry.

Enough Rope with Andrew Denton is a television interview show originally broadcast on ABC1 in Australia. The title of the show came from the phrase "give someone enough rope and they'll hang themselves". The program was the brainchild of Australian comedian, social critic, producer and media personality Andrew Denton, who hosted the show. The hour-long chat show aired from 2003 to 2008.

The likes of Antoine de Caunes, Jean Paul Gaultier, Davina McCall, and Lolo Ferrari are your guides to the weird and wonderful in Europe and beyond. How else would you learn about pubic hairdressers, the Penis Olympics, or the latest Japanese sex toys?

Malcolm McLaren, writes, directs and narrates the "history" of Oxford Street. With musical performances by The Pogues and Kirsty MacColl, Tom Jones, Sinead O'Connor, Happy Mondays and more.

A rather incoherent post-breakup Sex Pistols "documentary", told from the point of view of Pistols manager Malcolm McLaren, whose (arguable) position is that the Sex Pistols in particular and punk rock in general were an elaborate scam perpetrated by him in order to make "a million pounds."

A dramatised examination of the health issues and social consequences of America's love affair with fast food.

The Word was a 1990s Channel 4 television programme in the United Kingdom. The show pushed forward the boundaries of youth TV, always coming close to going too far.

A journey through the 1980s and beyond; the story of a band, an era and how one small gathering of outsiders in London shaped the entire world’s view of music and fashion. The film is not only a fascinating, often hard-hitting social and cultural document of the time, but a brutally honest story of how friendships can be won, lost and ultimately regained.

The story of Sid Vicious, by those who really knew him

A visual compilation of songs from Malcolm McLaren's 1983 album "Duck Rock", including the songs "Buffalo Gals" and "Double Dutch", mixed with interview and documentary footage.

Video art show presented at the 1991 Broadcast Designers Association convention. Includes work from: Robert Ashley, Robert Breer, Peter Callas, Christen Clark, Sumit Das, Ed Emshwiller, John Hart, Jon Klein, Lyonel Kouro, Maureen Nappi, Paul Garin, Amy Greenfield, Nam June Paik, Mark Pellington, M. Rawlings, John Sanborn, Dan Sandin, William Wegman, Dean Winkler. Major contributions include "MAJORCA-fantasia", "Sunstone", "Welcome to My Living Room" and "Neo-Geo: An American Purchase", as well as excerpts from "Perfect Lives".

A documentary tracing punk from the SEX shop of Malcolm McLaren and Vivienne Westwood. Featuring contributions from Tony James, Gene October, Jon Savage, Glen Matlock, Jah Wobble, Steve Severin and archive performances.

The '70s work of the late Dave Goodman leads US directly into the shocking true story of the birth - and initial success - of the Sex Pistols, the most explosive Rock 'N' Roll band ever (and the group for whom Dave G was the first serious producer). a band that still shock and thrill, in equal measure, some 30 years later. The filmmakers were lucky enough to know Dave back then and luckier still in getting other key figures to talk about him and the Pistols for this film - including manager Malcolm McLaren, Pistol Glen Matlock, photographer Ray Stevenson, film-maker Don Letts, broadcaster/label bigwig Tony Wilson and many others. Their words make up not just the bizarre tale of Dave and the Pistols but also the full flavor of what Punk, and Britain in the '70s, was really like. A time when young people still genuinely believed that music could - and would - change the world. A time of hope. A very different time to now...

McLaren returned to his roots as a visual artist in June 2008 with SHALLOW 1-21, a series of twenty-one “Musical Paintings” – short films created from re-worked clips from pornography set to music that he composed. It premiered in Art Basel Projects, and was shown by Creative Time in Times Square, New York; the Royal Academy of Arts, London; the Baltic Centre for Contemporary Art, Gateshead; and the Pennsylvania Academy of Fine Arts in Philadelphia.