Constructor Cada Día, Compañero

A sound system plays Commander Ernesto Guevara's speech, delivered on October 20, 1962, during the Second Anniversary of the Young Communist League, along with a series of archival images of the revolutionary leader visiting factories and meeting with workers.

A collage of images showing the two faces of a society. That of poverty and that of wealth. Throughout the documentary, this antagonism is shown: populations in unhealthy conditions, and on the other hand, large showcases with mannequins.

The story of the Santa María School massacre of miners in 1907.

Chronicles the events immediately surrounding the CIA- supported coup itself.

Feature film that wraps, through Jorge Lillo's text, three short films by Helvio Soto

Guzmán’s final installment shifts from covering the actions of Allende’s opponents to those who battled to revive & promote their toppled leader’s vision for a new Chile.

The chronicle of the political tension in Chile in 1973 and of the violent counter revolution against the democratically elected government of Salvador Allende.

Examines the mind and work of artist Juan Luis Martinez. Martinez's contemporaries expound upon his of reality and the political climate in Chile.

Based on an actual murder case that ignited a furious debate over the death penalty in Chile in 1960, this experimental social drama portrays the life and death of an illiterate peasant who, while drunk, murdered the woman with whom he had a relationship and her five children.

Set in Santiago de Chile in the 50's and divided into three stories. The first story is about a young woman who has just discovered that she's pregnant. The father refuses to cooperate. The second story is set in Arica, and concerns smuggling in northern Chile. The third and final story, "Ojos de gato", concerns a cashier that is bewitched by a mysterious "Lady in Black".

A family on the brink of bankruptcy decides to do dirty jobs undercover by the government to overcome their condition.

Through the testimony of the victims of the Brazilian dictatorship, and the re-creation of the practices to which they were subjected, the torture suffered by the Brazilian political detainees in their country is denounced. Restored version.

La Revuelta accounts for the tension experienced by those who, as of October 2019, came out to express their social discontent. The work has as its main stage, renamed by the people, as "Plaza de la Dignidad". It is a choral story, woven with the reflections of the protesters under the protection of the contextualization of a story in off that is unraveling the causes and effects of the outbreak. Thus, more than three years after the social demonstration, La Revuelta, is presented as a critical and contestative reflection, around the popular protest maintained by a people that took 30 years to awaken.

A maid loses all her jobs because her son cries at night, and that bothers her bosses. The play portrays the wandering and desperation of the protagonist to get a job, which ends in her failed attempts due to the "Angelito".

SOMOS + follows a political demonstration by women who rise up with a unified voice against Pinochet’s military regime.