5 Euro

Fuori Vena

A brutal, often times funny, other times terrifying portrayal of drug addiction in Milan.

The first wave - Milan in the time of Covid-19

The choral work of 57 directors and filmmakers who tell stories of Milan at the start of the COVID-19 pandemic.

All Human Rights for All

Collective film for the 60th anniversary of the Universal Declaration of Human Rights, with 30 directors each helming a segment about one of the 30 articles of the Declaration.

6:06

Leo is only twenty, but his life is in black and white. His days always begin at 6:06, with odd jobs and an endless race to get his hands on his next hit. Taking drugs is not just an addiction; it’s a mental loop that keeps Leo trapped in an eternal déjà vu. Each time he tries to break out and escape, he’s always sent back to square one. Until he meets Jo-Jo, an enigmatic girl his same age who speaks French only and drives a camper like she’s on the run from something. Like him, she has deep scars. So Jo-Jo is not an easy way out, but it’s chaos that Leo needs. She has her own demons, and in some way, she can see into Leo’s fractured psyche. They drive off to Portugal together, through dusty, dreamlike landscapes, and there, their souls connect and finally speak the same language. Yet saving each other won’t be easy. Leo struggles with his dependency, while Jo-Jo seems to be one step away from dissolving into thin air – as if she were only there to show Leo the path to take.

Bedu Beddna Naiesh

Bedu is the manifesto of how a people can be violated in its human rights. Through the stories of the son of Sinai, interviews and witnesses, we retrace the whole story of the injustices suffered by these people: the Bedouins From the days of the Six-Day War through the tourist revolution to the Arab Spring up to the coup of al-Sisi and today to Isis. Deprived of their lands and the water, hijacked by the large European hotels. Deprived of basic human rights, such as having a home, access to health services and education. Reduced to cultivating and selling opium under contract with the police. Up to the interview with Mussa'ad Abu Fajr, the only Bedouin who spoke violations suffered by his people in a blog beddna naiseh (we want to live) for which he served three years in prison. Hence, the title of the documentary, because these nomads simply want the basic right: life.

Fritz the Cat

In late 1960s New York City, fed up with monotonous college life and police repression, free-spirited Fritz, an impenitent seducer and unrestrained party-animal, decides to explore the world. And just like that, as he flees NYC, heading to San Francisco, Fritz embarks on an endless adventure of illumination. Immersed in a world surrounded by drugs and sex, Fritz participates in mad orgies, brings about a revolution, incites mass urban riots, and crosses paths with drug-addled Nazi bikers.

Factory Girl

In the mid-1960s, wealthy debutant Edie Sedgwick meets artist Andy Warhol. She joins Warhol's famous Factory and becomes his muse. Although she seems to have it all, Edie cannot have the love she craves from Andy, and she has an affair with a charismatic musician, who pushes her to seek independence from the artist and the milieu.

Stuck

A young woman commits a hit-and-run, then finds her fate tied to her victim.

.45

Kate and her brutish boyfriend Big Al sell handguns on the streets of New York. She's smart, stylish, and self-confident, but all that leaves her when Al, in a jealous and self-indulgent rage, beats her. Three friends encourage her recovery: Vic, a woman who would like to be Kate's lover; Reilly, who runs with Al but also is attracted to Kate and repulsed by Al's violence; and, Liz, the counselor assigned to Kate from a battered-women's program. Vic and Reilly talk about killing Al, Liz gives pep talks; Kate remains frightened. Will Al's menace and Kate's dependency hold sway?

The Air I Breathe

A gambler’s bet spiraling into chaos, a gangster's prophetic visions, a pop star’s dark entanglement, a doctor’s desperate race against time to rescue his beloved... Four interconnected stories reveal life unfolding through four emotional pillars — joy, passion, grief, and love.

Coffee and Cigarettes

An anthology of eleven vignettes featuring star-studded casts of extremely unique individuals who all share the common activities of conversing while drinking coffee and smoking cigarettes.

Cruel Intentions

Slaking a thirst for dangerous games, Kathryn challenges her stepbrother, Sebastian, to deflower their headmaster's daughter before the summer ends. If he succeeds, the prize is the chance to bed Kathryn. But if he loses, Kathryn will claim his most prized possession.

Lola

Germany in the autumn of 1957: Lola, a seductive cabaret singer-prostitute exults in her power as a temptress of men, but she wants out—she wants money, property, and love. Pitting a corrupt building contractor against the new straight-arrow building commissioner, Lola launches an outrageous plan to elevate herself in a world where everything, and everyone, is for sale. Shot in childlike candy colors, Fassbinder’s homage to Josef von Sternberg’s classic The Blue Angel stands as a satiric tribute to capitalism.

Veronika Voss

In Munich 1955, German film star Veronika Voss becomes a drug addict at the mercy of corrupt Dr. Marianne Katz, who keeps her supplied with morphine. After meeting sports writer Robert Krohn, Veronika begins to dream of a return to stardom. As the couple's relationship escalates in intensity, Veronika begins seriously planning her return to the screen -- only to realize how debilitated she has become through her drug habit.