Shinobi no Mono 4: Siege

Warlord Oda Nobunaga seeks to unite a fractured Japan. A young man trained in the arts of ninjitsu is manipulated by a ninja master into attempting to assassinate the warlord before he completes his task.

[Period covered: 1582-1594]. As the film opens, the warlod Nobunaga Oda rides to Iga Ayanokuni shrine. He is asked if he thinks he has destroyed all the ninja who opposed him and answers that he suspects that there may be more. A servant brings water and tests it first. The paige dies and we hear gunshots as two ninja flee the scene. His suspicions confirmed, Nobunaga oversees the execution of captured ninja and decides that, in the future, he needs a much crueler method of execution. The daimyo Hideyoshi comes to visit.

[Period covered: 1595-1600] We last saw ninja Ishikawa Goemon, as he was about to be boiled alive. But a good ninja is both hard to find, and even harder to kill. With the help of the enigmatic Hattori Hanzo, Goemon lives to skulk another day, and sets his sights on bringing down the warlord who tried to turn him into soup – Toyotomi Hideyoshi. And as always, in the background, the suble hand of Tokugawa Ieyasu is pulling strings as he plots to rule all of Japan!

[Period covered: 1616] On May 8th, 1615 the summer campaign of Osaka has reached the climax. This film takes place immediately following 'Ninja 4: Mist Saizo, Last of The Ninja'. Staying one step ahead of the Shogun’s forces, “Mist” Saizo tries to save the Sanada Clan, and avenge the death of his lord by assassinating the first Tokugawa Shogun. Following the first four films in this remarkable series, more previously unknown Ninja skills are shown to the world for the first time. The action heats up as Saizo single-handedly attacks the Shogun’s Palace!

[Period covered: 1637-1651] This is one of the most complicated plots of any of the Shinobi no Mono films! This film tells the story of Saizo’s son, Kirigakure Saisuke, who after seeing his father die at the Battle Of Shimabara, grows up to be an expert ninja. Before he dies, “Mist” Saizo tells his children Saisuke, and Yuri that they are not really brother and sister. She, in fact, is the daughter of the late lord Sanada Yukimura, and must be saved from the shogun’s forces. In the chess match of spy versus spy, can Saisuke defeat the shogun’s chief strategist, Matsudaira Izunokami at his own game? Showing many exciting ninja tactics, it is not to be missed.

[Period Covered: 1570-1573] Towards the end of the Tenmon Era, Shogun Ashikaga`s powers were weakening by the day and many were there who planned to overthrow him. It was the beginning of the Sengoku (Warring States) period. Three men attack a gunpowder maker in a farmhouse, the first chopping off his arm with his sickle-&-chain weapon, the second blinding him with sword, the third giving the killing blow. His son Kojiro Kosume escapes the attackers as everything he has known up to then explodes into conflagration. He grows up & enters the start of the Tokugawa Era, intent on avenging his father.

[Period covered: 1616] Kirigakure Saizo returns for the final time as he sets out to assassinate Tokugawa Ieyasu in order to avenge the death of Lord Sanada Yukimura. But first he must contend with Ieyasu’s own ninja group led by the powerful Fuma Daijuro, who has a score to settle with the men of Iga that dates back 280 years to the war between the Genji and the Heike at the Battle of Dan-no-Ura. Tremendous fighting and great plot twists highlight this exceptional look into the lives of the mysterious ninja of Japan.

The Shinobi-no-Mono series was so successful that Daiei Studios dipped into the well one more time, making the best 60′s B&W ninja movie ever seen in the otherwise color-dominated year of 1970. Issei Mori directs Hiroki Matsukata as the reluctant leader of a small band of spies charged with kidnapping a noblewoman from a heavily ninja-proofed castle. The finality of the air slowly began to fill like smoke, and in all that had become dark the loyalty of the Ninja who dared to go shone like light as they entered a world shrouded in mystery. Things do not go as planned in what is possibly the darkest and most fatalistic of the already noir-ish 60′s fare. Both the decade and it’s distinctive style of shinobi cinema went out on a high note with Mission Iron Castle.

Nakamura Mondo was relegated to a post in Hachioji from the Minamimachi Bugyōsho and he has retired from professional assassin. But one day he was ordered to return to the Minamimachi Bugyōsho. Shikazō worked behind the scenes to get Mondo back to the Minamimachi Bugyōsho. Shikazō asks Nakamura Mondo to kill a man, once Mondo refuses but he is blinded by big money and eventually take the offer. Mondo restarts killing villains again with Kazarishokunin no Hide and Nawate Samon.

Kohei Akiyama, a popular master swordsman, and his son Daijiro live in the town of Edo in good faith. While running a dojo, Daijiro and his father find themselves wrapped up in a series of events with the town's people.

In 11th-century feudal Japan, following the exile of an idealistic governor, his wife and children are separated by slave traders; the children, Zushio and Anju, are sold into brutal servitude under the cruel bailiff Sansho.

Ogami Itto is a master swordsman who holds a position of high power in the Tokugawa Shogunate. Highly trusted by the Shogun, he serves as the official decapitator, assisting lords and samurai who have been ordered by the Shogun to commit seppuku. One day, Itto’s wife and members of his household are brutally murdered by a clan seeking to avenge their lord’s execution, which had been carried out by Itto. In the wake of the attack, two items are left in Itto’s home: his unhurt infant son, Daigoro, and a symbol meant to signify Itto’s betrayal of the Shogun. Disgraced by the false symbol, Itto is labeled a traitor and forced to forfeit his position. He becomes a ronin, wandering the country with his son, searching for the men who killed his wife, seeking to clear his name and avenge her death.

Four people recount different versions of the story of a man's murder and the rape of his wife.

In 16th century Japan, peasants Genjuro and Tobei sell their earthenware pots to a group of soldiers in a nearby village, in defiance of a local sage's warning against seeking to profit from warfare. Genjuro's pursuit of both riches and the mysterious Lady Wakasa, as well as Tobei's desire to become a samurai, run the risk of destroying both themselves and their wives, Miyagi and Ohama.

When the wife of a 17th-century Kyoto scrollmaker is falsely accused of having an affair with his best employee, the pair flee the city and find themselves truly falling for one another.

Learning of his family's collapse, acolyte Goichi, sent to study silently at the Temple of the Golden Pavilion, must endure acute psychological distress.

Two sculptors spend the night in a mountain lodge after being caught in a snowstorm. A female spirit appears and takes the life of one of the men. She spares the other man's life on the condition that he never tell anyone what happened that night.

Wishing to find peace, Zatoichi travels to his old village but only finds trouble when he ends up in a love triangle and finds old scores have followed him home.

First movie of the Inu series directed by Tokuzō Tanaka

Asakichi beats a ganster, Sada, in a physical fight, leading to recognition by Sada's clan boss. When Kotoito, the geisha Asakichi is in love with, is kidnapped by a rival clan and sold to a a house of pleasure, Asakichi and Sada set out to rescue her.

A fishing village is terrorized by a giant whale, and the fishermen are determined to kill it.