The Great Ride

An experimental short shot on a f0.3 equivalent large format lens

Together impossible goals can be reached. Like playing a song as a tribute to your favorite rock band, putting together 1000 musicians playing perfectly in synch. It’s what Rockin’1000 achieved, a group of Italian friends who became a global community bringing musicians from all around the world. We Are The Thousand is the story of how the largest band on the planet came to be: over nineteen thousand musicians, amateurs and pros from every age group and social background, united by one passion: rock’n’roll. This is the story of how the idea of virtuous community can positively influence every single member, encouraging them to pursue their dreams while giving the best they have to offer.

€3.40 is the money left to the protagonist of the film, who, with Milan in the background, will try to stay afloat by looking for a new job, love, and to realize his lifelong dream: to see his paintings hanging in the best galleries in the world.

A woman and a crowd of men inhabit a gloomy building. One day at the top of the huge staircase a caw is heard.

In a dysfunctional family of fishmongers, Beppe and his little brother Davide live daily with the abuses of their father Arturo. Standing at a crossroads, Beppe has to choose what is best for himself and his little brother.

Heartbeat, an ispirational film written, directed and produced by Filippo Cinotti & Matteo Bombardi. An original story by AD ASTRA /W co-production of VMultimedia. Realized with passion and love for cinematography.

'Red' is a project by Filippo Cinotti Shot entirely with: Canon C500MKII Nikkor AI-S lenses Evaluated in Davinci Resolve 20 Extra tools: LensNode

'Green' is a project by Filippo Cinotti Shot entirely with: Canon C500MKII Nikkor AI-S lenses Evaluated in Davinci Resolve 20 Extra tools: LensNode

‘Blue’ is a project by Filippo Cinotti Shot entirely with: Canon C500MKII Nikkor AI-S lenses Evaluated in Davinci Resolve 20 Extra tools: LensNode

‘Yellow’ is a project by Filippo Cinotti Shot entirely with: Canon C500MKII Nikkor AI-S lenses Evaluated in Davinci Resolve 20 Extra tools: LensNode