What's a Wife Worth?

Bob Strong, a detective, goes to prison undercover to befriend Hugh, a young man who was part of a gang that committed a robbery, in order to find out where they hid the money. Strong finally finds out the name of Hugh's partner, who has the money, but things take a complicated turn when Strong falls in love with Hugh's sister.

Following a scandalous poker party, Douglas Kenyon acts as escort to Marcia Walsh, a showgirl whom he "wins" in a game. When it is discovered that she has spent the night in his apartment, though innocently, he is discharged from the bank where he works. He then is separated from his sweetheart, Jean Bronson, who becomes an actress when he plans to prosecute her grandfather. After many complications, including the heroine's rescue from an unscrupulous theatrical producer, the lovers are reunited.

A hillbilly deacon, who is actually a cardsharp in disguise, becomes involved in a small-town fight game.

Erstwhile childhood friends, Judah Ben-Hur and Messala meet again as adults, this time with Roman officer Messala as conqueror and Judah as a wealthy, though conquered, Israelite. A slip of a brick during a Roman parade causes Judah to be sent off as a galley slave, his property confiscated and his mother and sister imprisoned. Years later, as a result of his determination to stay alive and his willingness to aid his Roman master, Judah returns to his homeland an exalted and wealthy Roman athlete. Unable to find his mother and sister, and believing them dead, he can think of nothing else than revenge against Messala.

The story of a poor young woman, separated by prejudice from her husband and baby, is interwoven with tales of intolerance from throughout history.

Produced under the supervision of the U.S. Navy. James Randall, an upperclassman at the Naval Academy, falls in love with Patricia Lawrence, the sister of a plebe. She is engaged to Basil Courtney, a wealthy reprobate who arranges with Rita to discredit James.

A savvy city girl tries to protect her naive sister, who has just moved from the country, from the temptations--and men--of big-city life.

Barry Brandon, a criminal lawyer, visits the night club of Denny Larkin, his primary client, with Betty Walker, a spoiled society girl. The police raid the club and Brandon pleads that the whole group is guilty, just to get even with Larkin for a rebuke. On the same night in court, Madge Carter is on trial for disorderly conduct, and Brandon volunteers to defend her, and proves the case against her if a frame-up. Finding that she is penniless, Brandon hires her as his secretary, and falls in love with her. Brandon is appointed district attorney and has ambitions of becoming the state governor. Having dinner at Betty's home, she maneuvers him, while he is drunk, into marrying her. Later, Madge is a witness when Larkin shoots down a fellow gangster. By threatening Brandon's life, he forces her to commit perjury at his trial, and say he fired in self-defense. Brandon, the prosecuting attorney (who has had his marriage to Betty annulled) knows she is lying but doesn't know why.

Eduardo Belmonte overhears his new step-mother, Maria, and her lover, Don Ricardo Gonzales plotting to take over the Belmonte rancho on the night of the fiesta given by her husband, Don Carlos Belmonte. Eduardo offers Maria money if she will depart the hacienda premises, but she refuses and then accuses Eduardo of making love to her. The old Don doesn't take kindly to his son hitting on his step-mother and attacks him in a rage. The lights go out, the father is killed and Maria blames Eduardo, who escapes from the house, chased by Ricardo's men. The Cisco Kid and Pancho rescue Eduardo, who has been shot, and hide him while they investigate. Cisco discovers that bullets from Maria's gun, a handy little derringer, are the same type that killed Don Carlos. But the Alcalde arrests Cisco and Pancho, and Cisco is "supposedly" executed by a firing squad, but IS NOT shot and escapes by a trick. And now Maria and Ricardo are in real trouble with Cisco on the loose.

Two families, abolitionist Northerners the Stonemans and Southern landowners the Camerons, intertwine. When Confederate colonel Ben Cameron is captured in battle, nurse Elsie Stoneman petitions for his pardon. In Reconstruction-era South Carolina, Cameron founds the Ku Klux Klan, battling Elsie's congressman father and his African-American protégé, Silas Lynch.

A gang of tough street kids decide to go straight and get jobs in order to free draft-age men for the war effort. However, because of their past tangles with the law, they can't find anybody who'll hire them. Finally one of them gets a job at the department store where his sister works, but runs afoul of a store executive who is in league with a ring of hijackers.

A couple of young, out-of-work archaeologists in Egypt discover evidence of the burial place of the ancient Egyptian princess Ananka. After receiving funding from an eccentric magician and his beautiful daughter, they set out into the desert only to be terrorized by a sinister high priest and the living mummy Kharis who are the guardians of Ananka’s tomb.

Double Trouble is a 1915 American silent romantic comedy film written and directed by Christy Cabanne and stars Douglas Fairbanks in his third motion picture. The film is based on the novel of the same name by Herbert Quick. A print of the film is held by the Cohen Media Group.

A young woman is quite taken with a man she met; in fact, he is her “ideal”. However, after her new suitor refuses to get mixed up in a street brawl, the young woman views him as a coward. Nearby, a violent convict has escaped from prison. While the couple takes a ride in the woman’s automobile, the criminal ambushes a guard, taking the officer’s clothing and gun. The young woman still argues her suitor is a coward, drops him off, and drives off alone. She is then carjacked by the on-the-lam criminal. The young man witnesses the ambush and sets out to rescue his lover.

Eccentric tycoon Jasper Whyte hosts a dinner at his mansion and announces that he will divide his money and give each guest a million dollars before the stroke of midnight. When his long-lost granddaughter suddenly arrives, Whyte changes his mind and proclaims that she will receive his entire fortune. A second lady appears at the estate, claiming that she is actually Whyte's granddaughter, Doris Waverly, and the first woman is found murdered in her room! With each guest possessing a motive, the mystery of the killer's identity briskly unfolds through a stirring series of surprises.

This is the Spanish-language version of Ten Cents a Dance (1931), shot concurrently with a different cast but the same director, Christy Cabanne (as "Wiliam Cabana"), and also Mexican director Eduardo Arozamena.