Don’t Let the Sun Go Up on Me

On a handmade set re-creating her Casablanca neighborhood, a young Moroccan filmmaker enlists family and friends to help unearth the troubling lies built into her childhood.

When director Asmae El Moudir finds an old picture postcard of a mountain village among her mother’s belongings, it brings a remarkable story to life. The picture is of Zawia, the village in Morocco that her mother left as a child and never returned to. El Moudir decides to go to this remote place. In Zawia, where time seems to have stood still, she embarks on a quest into her mother’s past, and thereby her own. She connects on a personal level with women and girls in the village; one of the young girls is Oum Elaid. The better El Moudir gets to know her and her family, the more she realizes how different her life would have been if her mother had stayed in the village. What begins as an intimate, personal journey in search of her family’s roots, evolves into a universal story about emancipation, migration, and the human longing to belong to a community.

A young girl recalls the communal Friday family dinners, a time of tradition and airing of diverse opinions. Recalling the history of Morocco and those who tried in earnest to affect change, the experiential nature of the film allows for an interesting perspective on a common story and setting. This film is an allegory of memory: an erratic recollection of shared experiences, feelings, and thoughts that shape a coherent narrative.

Saida goes every day after school to the sea to bring in an old bucket what her father was able to fish. Deaf and dumb, she expresses her feelings through drawing, her father can't make ends meet, on the taking of the song "Lighara" by the group "Jil Jilala", he ends up making an irreversible decision...

They had taken part in the glorious Green March in 1975. They had wanted to reach the town of Laâyoune. But their journey had stopped at the edge of the town of Tarfaya. 45 years later, they decided to take a trip back in time, during which reminiscences of their experiences resurface.

Laarbi, an old projectionist works in a movie theatre that is isolated in the countryside and is on its way to definite closure. Salman discovers, while arranging the affairs of his grandfather, old pieces of film. This is the trigger that gives him an idea that will transform the future of this Movie theatre...