Annlee You Proposes

Sarah Morris made the film “Capital” in Washington during the final days of the Clinton administration. It is a record of now unimaginable access to the centers of power. Capital continues Morris’ investigation of the way we decode and therefore begin to understand the built world around us. “Capital”, first exhibited at the National Gallery in Berlin (Hamburger Bahnhof) draws a complex and layered city portrait. The Mall, the White House Press Office, the World Bank, uniformed members of the Secret Service, the Presidential motorcade, the Watergate Complex, the Kennedy Center, the J. Edgar Hoover Building, The Pentagon, the daily activities of the President and an overall consideration of the city form a sequence of reflection points for her series of paintings. While her earlier paintings from New York and Las Vegas offered a new examination of the codes and structures of our urban environment, these new works introduce a revised mapping of power, desire, urbanism and design.

Taking its title from an all-day/all-night convenience store, “AM/PM” examines the famous Las Vegas Strip, portraying the disorienting world of corporate hotels and casinos which utilise and redefine the spectacle in relation to architecture. “AM/PM” posits the concept of distraction itself as a strategy and the city as a conspiracy, which manipulates and directs the visitor.

An intimate examination of a contemporary artist couple, whose living and working patterns are threatened by the imminent sale of their home.

A social experiment-turned-baroque musical in a Vienna exhibition space, where the boundaries between body and world dissolve in a delirious and darkly funny mirror image of civilisation itself.

“Beijing”, an 86-minute 35mm film, focuses on one of the most intricate and ambiguous international broadcasted events of past years – the 2008 Olympic Games in Beijing. “Beijing” observes the overwhelmingly perplexing and contradictory economy and authority of China, made all the more resonant in current climate of the global cities.

"Chew The Fat" (Informal) - To have a long friendly conversation with someone. In the film project 'Chew The Fat', the artist Rirkrit Tiravanija, living in New York portraits a group of 12 artists (Douglas Gordon, Angela Bulloch, Pierre Huyghe, Philippe Parreno, Dominique Gonzalez - Foerster, Elizabeth Peyton, Tobias Rehberger, Carsten Hoeller, Liam Gillick, Jorge Pardo, Andrea Zittel, Maurizio Cattelan). The artists, all chosen by Tiravanija, belong to the same generation as himself and, like him, have advanced during the nineties to achieve international success. Most importantly, all are good friends of Tiravanija. This creates a particularly relaxed situation in which conversation can flow naturally between the two with personal issues coming up as easily and often as those to do with work or career.