Gambler

A group of children develop the possible society of the future on an overgrown building site in a deeply democratic film, which gives nature a voice.

Niels Stokholm is one of the most idealistic farmers in Denmark. He runs the biodynamic farm with his wife, Rita, and from their farm, Thorshøjgaard, they distribute products to some of the best restaurants in the world.But not everyone is equally fond of Thorshøjgaard and their holistic methods. Authorities and bureaucracy threaten to close down the farm. Phie Ambo follows their struggle to make sure that they are not the last to do agriculture the way they do, but some of the first.

Four stories from the Nordic region paint a picture of a changing natural world, where the elements rage and where being prepared proves to be much more than sandbags and fire extinguishers.

Have you ever known who was calling before you answered the phone, or felt you were being watched while in an empty room? Is it possible to exist across multiple worlds simultaneously? When her young daughter insists she’s sometimes human and sometimes an animal, filmmaker Phie Ambo wonders what else might exist outside a singular human consciousness. Committing to the principal of randomness, she plumbs the minds of various leading thinkers, from the father of string theory to a Buddhist monk, from a clairvoyant to a janitor. Just as impressive as their fascinating ideas, however, is the visual correlative of this ever-deepening metaphysical query. Who would expect the mysteries of existence to lurk inside the grease trap at an amusement park or in a single cup of tap water? Prepare to have your reality permanently altered by this mind-boggling, impossible and thoroughly compelling film.

Right outside of Moscow – home to the highest number of billionaires pr. capita – you’ll find the largest junkyard in the world: The Svalka. It’s a hard place run by the Russian mafia. And it's where Yula lives with her mother, her friends and many other people. Life is tough in the Svalka, but it’s also a place where beauty and humanity can arise from the most unlikely conditions. It is from this place that Yula dreams of escaping and changing her life, even if it seems impossible. Oscar-nominated director Hanna Polak followed Yula for 14 years, bringing us along on Yula's journey to achieve this dream.

Brain scientist Professor Richard Davidson sets up his mind to conduct an unusual experiment: He will teach American war veterans and children meditation and yoga. Can veterans through meditation and yoga ease their pain and nervous system, find happiness and be more peaceful and get back to a life more like the one they had before the war?

"Mechanical Love" is a documentary on the interrelationship between robots and humans. The film portrays people who have a close relationship with a robot, and it takes us from the high temple of robot technology, Tokyo, Japan, to Braunschweig, Germany, to Italy and back to Copenhagen, Denmark. By this world tour director Phie Ambo seeks to highlight the human need for love and our craving to be loved by others - perhaps the two most important aspects of life. Through the main characters, she examines the cultural differences in how we accept emotional robots in the East and the West.

In 2019, thousands of Danish children and youths took to the streets. They stayed away from school to demonstrate for the climate, mobilise their parents and grandparents, and demand action – now! When elections were called later the same year, it was clear that green climate policies attracted voters, and suddenly the climate was at the top of the political agenda. ‘70⁄30’ portrays the creation of one of the world’s most ambitious climate laws, with the goal of reducing Denmark’s CO2 emissions by 70% by 2030. But will the politicians, citizens and industry be able to come together to make Denmark a green pioneer? Or will the election promises and green ambitions crumble when the new climate law is faced with reality?

An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.

17-year-old Skjold and 18-year-old Isabel are no longer together, but they will always be each other's first love. The film throws us into a whirlwind of conversations, quarrels and happy moments during a long summer in Copenhagen. A vulnerable and confusing time for the two of them, as they try to define who they are, both as a couple and as individuals. They are entangled in romantic feelings and a strong friendship, and find it hard to let each other go, so to break with her feelings, Isabel decides to move to Barcelona on her own. But will their new freedom give Skjold and Isabel the answers to who they are? Emil Næsby Hansen is the fly on the wall, who effortlessly and without interfering is there with the couple during their ups and downs, managing to capture all the emotional nuances. From romantic love and unbearable loneliness to poetic freedom, with the Danish summer as a moody backdrop.

Denmark is, after Bangladesh, the most cultivated country in the world. This can be seen in our biodiversity, which has plummeted since the 1980s. We actually have less than two percent of wild nature left in Denmark, and something must be done about that now! The Danish Nature Foundation has purchased a large area in Hammer Bakker with production forest, which is to be converted into wild nature with large grasses, butterflies and, with a little luck, a golden eagle or two. But how do you make something wild that has been tamed for so long?