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Nine people tell an anecdote, tall story or dramatic narrative straight into the camera.

Shot in Tel-Aviv, this documentary is about Jews who were raised Ultra-Orthodox and then made the choice to become secular. For most of them, this decision meant severing ties with their families and the community and setting out alone to find their footing in an unfamiliar society.

A young woman named Juliette reminisces a series of recent confrontations. We hear, off-screen, the voices of her loved ones, her mother, her former lover, who burst in just as she was making the decisions that affected her life.

Valvert is a psychiatric hospital in Marseille, founded in the mid-seventies in a spirit of freedom and openness. The film observes daily life there, painting a portrait of the place through interviews with employees and scenes from the patients’ lives. In an atmosphere resolutely opposed to the standard institutional system, the liberty at Valvert reveals various facets of ordinary madness.

An 18-year-old beauty develops an attraction to an older photographer.

A car trip will be an opportunity for a son to at last tell his father everything that is weighing on his heart.

A Comorian village. Djibril spends his frees time taking care of an abandoned villa. While he is busy there, his cabin catches fire. Homeless, he must find a place to live.

A young woman welcomes friends for some tea.

It is the end of a meal. Eight people are gathered around a big table. They evoke the memory of a lost friend. Through the stories of each about the absentee, the character traits, the haabits or the expressions, a portrait in hollow is outlined.

Based on Kim Young-ha’s seminal award-winning novel, The Empire of Light takes the audience on a journey between truth and lies, dreams and reality, where the lives of a North Korean sleeper agent and his wife unravel in just 24 hours.

Lucie was born with a protruding ear that she got from her mother. In this documentary she tries to find answers in her fathers' features.

Pictures from the Manufrance catalogues of the 1970s recount the ideal day of a housewife.

The film gives voice to Lebanese teenagers, filmed in different regions of the country - Tripoli, Sidon, Hermel... Coming from different backgrounds, they express themselves on the future, their future, their desires and fears, on their role models, their link to family, politics, memories. They talk with the frankness and funniness of children and yet, also with the maturity of adults. Through a series of simple and open questions, the documentary draws an intimate portrait of today's Lebanese youth.