Two Moons

Berlin, known for its freedom and inclusiveness of diverse subcultures, is a safe haven for many displaced people. But urban life may not provide the best living conditions. Idealistic traveller Moon struggles to find accommodation in Berlin but receives a helping hand from Anna, who is also a Hong Konger anxious about her unstable life. They temporarily stay at the 15-person co-living facility named Hausprojekt ‘K28’. However, this group of migrants—some have experienced social unrest back home and others just want to experience life in a foreign country—are facing eviction. Two women with very different personalities share what they have and face the hardships of life together. The Berlin-based director uses her perspective as an Asian woman to explore the clash between humanism and gentrification. Featuring Golden Horse nominee Elizabeth TANG and artist Sammi MAK in leading roles, the film deromanticises the situation of Hong Kongers living in a foreign land.

At the end of summer, a group of friends bid farewell to their childhood with a final football match and embark on a daring escapade, each about to embark on a different path in life.

In the era of the coronavirus, Genius was left behind on the street by his girlfriend and his mother passed away soon. Genius worked in an antique shop. His boss asked him to get rid of a box of feng shui stuff as far away as possible. However, he barely could find a rubbish bin. When he found one, the rubbish bin was too full and he decided to just left it there. Unfortunately, an officer ask him to pick it back up. He went everywhere to seek a rubbish bin but never succeed.

A young boy successfully transforms into Superman, but he can’t find a way to turn back to human.

With unique access inside the battle for Hong Kong, FRONTLINE follows five protesters through the most intense clashes over several months of pro-democracy protests. The film examines their struggle against what they say is growing influence from the communist government of mainland China.

Yunnan girl Xiangnan, coming from a poor family, was married off to Hong Kong in exchange for a generous dowry. She lives in the remote area of Lau Fau Shan with her elderly husband. As a stranger in a foreign land, Xiangnan feels lost both in Hong Kong and back home, unable to find a space of her own. She dreams of escape, yet feels trapped like a small boat adrift in the sea, tossed by the waves with no way forward or back. In her helplessness, Xiangnan begins to converse with different versions of herself, searching for a place to coexist with herself. Birth and death, unity and separation, living and survival—all dissolve into silence. The story unfolds in scattered, fragmented memories, mostly reflecting Xiangnan’s daily life. The narrative shifts between the perspectives of her mother, Xiangnan as a child, and Xiangnan herself, moving through different spaces in Lau Fau Shan—sometimes in contrast, sometimes in harmony.

Three people in the flat with their own quirks, searching for the ways to understand and live with each other. Xiang's rebellion as ticking time bombs hidden in a hotel-like flat, as well as their relationships.

Hui-man has the body of a beast. As a former social worker, he still wishes to help others, especially his loved one Ning, a headstrong beauty who resists the world and who lives in the ruins after leaving her wealthy family. Both fight for survival and face their own needs and fears. Reunited despite obstacles, they only wish for a simple candlelight dinner without fanfare.

Traumatised by the doomed rights movement in Garan, former activist Decem seeks refuge and solitude in the forest, fleeing his homeland and all those he held dear. Relief is however short-lived. As time passes, nostalgia and loneliness creep upon the exiled youth. Decem remains trapped in recurrent nightmares of the past and continues to plunge into despair, living with a constant sense of peril. The challenges of living in the forest along with the wildfire in the mountains eventually make him reconsider the path ahead. Mirroring the disturbed youth’s inner turmoil with the sinister wild nature, the psychological drama relates the tormented state of the exiled body and soul.

Choi used to leave voice message to Sze since she had a cell phone. He did it even more when Sze got a smart phone few years later. Years after, Choi was getting old. He needs to visit physiotherapist and underoccupied. One day when Choi is loading of the bamboo in a construction site earthquake happened in Hong Kong

The understanding of time is dependable to the person’s perception. For elders, the seemingly overdued life experiences were their golden ages. This is a life story of an individual in highspeed. Beginning as an infant, the elder was like any of us, who was young and was beaten by his mom, experienced his first love, out of love, holding someone’s hand for the first time, feeling the warmth while holding his first born… And the one who lives with him all along might be his "pair".

Cheung, perceived as weird and bullied by his classmates for his introversion and odor. Amidst the bullying, he finds solace in the attention it brings, contrasting the typical victim stereotype. His classmate Kwong leads the bullying to mask his insecurities but faces backlash as classmates shift their views. Meanwhile, Yu, who has a longstanding crush on Kwong, finds her feelings unreciprocated, leading to broken bonds and misunderstandings. Their school life is deeply affected by the pervasive bullying, leaving all parties hurt.