Masayume

Rolling along on a bike or floating in a doctor’s office’s seasonal hamster display, Wheel Music explores the aesthetic feeling and social character of Sendagi, an old town in Tokyo under urban development in preparation for the planned Tokyo 2020 Summer Olympics.

Last gasps of the Seiza-sha house in Kyoto devoted to Torajiro Okada’s still-sitting meditation method from the late-Meiji era’s intercultural ferment. -JAPAN CUTS: Festival of New Japanese Film

A girl and a boy brave the cold sea at dusk to observe the little wonders of nature. Equipped with cell phones, they reveal their fascination in front of the luminescent and strange creatures that inhabit the sea. A carefree film that reminds us of the fragile beauty of our planet.

A female musician lives in a traditionally built Japanese house. There are spirits running around the house that she cannot see. The spirits are delivering smells that they collect around the house to a being inside the water of the bath tub.

A helpless woman confronts a “black object” with a power greater than hers. The “black object” shoots her questions. The woman has answers to these questions, but can’t say them aloud. She feels up against the wall, and begins to throw up beautiful colorful flowers instead of speaking.

For some reason, there is very little snow in the winter of 2020 on the Shiretoko Peninsula, a special place located in the northernmost part of Japan where rare wild animals coexist with humans. The typical drift ice hasn’t appeared yet, either. Although worried, the inhabitants of the village Shari continue their daily affairs: the shepherd bakes buns, a hunter prepares a dinner with venison, a fisherman picks up trash from the sea and another person observes flying squirrels in her garden.

A storyteller of peace serves as a guide in the “Gama”—natural caves where many local people lost their lives during the Battle of Okinawa. The woman in blue standing by his side represents the intersection of the present and the past.

Ayano is out of step with other people her own age. The growing obsession with fruit connects them to Satoko, who tends to the trees. A missing pear and a frightening item left behind may mean something else is near. Perhaps something sinister.

A misty body of water holds the moving human form, flesh, glass, and fabric placed in iridescent relation. -JAPAN CUTS: Festival of New Japanese Film

Along with vegetable and sea life, the camera is but one element of a sensual ride along a coastal road and playground in this masterful short.

A nine-minute film with intricate hand-drawn animation and dance.