Some Reddish Work

Why do we like to be called Mommy? The archetype of mother looms over us across cultures, it’s powerful and ubiquitous so it’s unsurprising that it can show up in our sexual psyches.

All that glitters is gold, images built in the pooling trails across skin.

Visual distortions mixed together providing and interconnectedness found only within another's embrace

A purification ritual, salt and water.

Represented reflections of bodies linked in union and their spiritual connection.

Indulgence in it's first form

You're getting fucked without even knowing. Fucked behind your back. Fucked in the shadow of your absence.

The act of penetration at its core is invasion, sometimes intensely and acutely desired and begged for and sometimes more complex. The sensation is intense and can be entirely changeable depending on the context in which the act takes place. This film is about invading and consuming. The monotonous, sterile mechanics of the fuck machine is hypnotic, the unwavering noise and repetition of movement that’s entirely oblivious to desire or want. It continues to thrust and fuck regardless.

The blinding light of someone's adoration burns out their ability to see inherent human complexity and messy contradictions and hypocrisies.

Sex 'fuses' bodies, entering, penetrating, consuming, holding, manipulating physical forms to remove any space left between us, pushing through spacial boundaries to experience an intense and vulnerable closeness and combination. 'Fuse' also references electricity, electrical currents and overload, whereas Carolee Schneemann shot her film Fuses in 1967 on analog 16mm celluloid we make films, fuck and communicate using digital, electronic devices, currents flowing across continents onto screens - now more than ever in the wake of the pandemic. A film made in lockdown isolation that honoured the potential future collaborations missed and explored new ways to fuse and fuck across distances. Bodies projected over and merging, the light from them captured through lenses into binary, transmitted across distances into shimmering pixels on screens thrown in beams of light onto and into another body.

Barriers are an augmentation not just a limit - they have potential for new sensations. Bodies take on different qualities. Smooth, shiny tactileness. Cold or warm when in contact with skin. Transmitting sensation without faithfully replicating it.

A taboo dive into divine nature providing a reminder of what greater connections we possess with the things around us

The invisible lines that bind us together become tangible.

Softness and wetness and opening yourself up. About consuming and feeding, being merged and joined. One consuming the other, both folding into each other, temporarily one.

Connection through shattered mirrors, black paint, candles, and cold cement

Exploring porn performer Carmina's complex relationship to her Mexican/French heritage saturated in Christian iconography and ideas of purity and what it means to be a “good girl” Her upbringing merged with the culture of her porn community and her bisexuality to explore what it means to exist simultaneously in those spaces, without feeling like you totally fit into any. Shame and sex and freedom and acceptance in the shadow of the history, iconography and symbols that have surrounded her her whole life.