The Mark of Vengeance on a Wild Horse's Back

Four Oddballs of Saigon or The Saigon Fabulous Four is a 1973 Vietnamese 35mm eastmancolor film directed by La Thoại Tân.

Since its first premiere in 1971, a classic Republic of Vietnam (1954-1975) war romance feature based on a fiction novel by military writer, Van-Quang. The film was lost for more than 4 decades when the communist forces took Saigon, Republic of Vietnam's capital, on April 30th, 1975. Digitized and restored from surviving 35mm prints archived by Japan film studio Imagica Lab; now transferred to UCLA Film and TV Archive. This film provides an almost unknown perspective on the Vietnam War, the Republic of Vietnam, and the RVN Army. The stage is the Republic of Vietnam, and the scenes portray a time during the Vietnam War as experienced by the Southern Vietnamese people, themselves. Phi, a soldier, longing to take Lien off to their private, imaginary space (the Purple Horizon), understands what his duty and commitment as a soldier is. Lien is a singer whose style is reminiscent of the "Torch" singers of the early 1930s. She desperately longs to escape the world with Phi to their purple.

An exasperated intellectual bourgeoisie leaves his home for the criminal underworld and becomes the second-in-command for 1970s Saigon most feared gangster, Dai Cathay.

In 1955 Tay Ninh, the National United Front is established and gives Ngo Dinh Diem's government an ultimatum: reform or attack. Luan continues to handle his new rise of popularity within sociopolitical circles in South Vietnam. He goes to Da Lat for a vacation, where a meeting between him and a young woman has been arranged.

A butler of a wealthy family in Saigon is tasked with bringing food and clothes to the eldest daughter who contracted leprosy and is locked in a room for years, but he soon suspects there is more to the story.

Luan continues to serve as the governor of Kien Hoa province and receives classified information sent by Y5, an agent installed by Kien Hoa Security in the Communist Party of Vietnam. He tries to identify Y5. The coup in 1960 ends with victory for the Republic's government, but unrest soon proves this result impermanent.

After the Geneva Convention, Viet Minh cadres are gathered to the North. There are also many who secretly stayed. Among them is Robert Nguyen Thanh Luan. He returns to Vinh Long, part of the diocese of Bishop Peter Ngo Dinh Thuc, who has known his Catholic family for long. The bishop adopts him into the Ngo family, where he begins associating with Ngo Dinh Nhu, the Vice President and Presidential Consultant of the Republic of Vietnam.

The Government of the Republic of Vietnam is subjected to military attacks and protests everywhere. Law 10-59 is enacted. Luan is sent to the United States for further military course training. Upon his return in early 1961, Ngo Dinh Diem decides to make him the governor of Kien Hoa province (Ben Tre today) to conduct the Pacification Program, with special privileges at his disposal.

As the Americans embark on a total mission to extinguish the rebels at Củ Chi, one of their South Vietnamese officer starts to reflect on his role in the imminent bloodshed.

After a tumultuous arrival and subsequent stay in Da Lat for military training, Luan returns to Saigon a Major in the Presidential Special Forces. He and Thuy Dung continue their relationship. News that Ngo Dinh Diem is opening the Ban Me Thuot's Highland Economic Fair attracts many intelligence and security organizations, whose political purposes vary.

In 1959, Luan is appointed Commander of the Great Flood Operations and of Binh Duong's Security Corps, with full authority to stabilize this province. The Liaison Department of the Republic of Vietnam, under the support of the United States, send commandos to North Vietnam for reconnaissance. If the commandos successfully infiltrate, they will respond to South Vietnam with a tango. Tango No. 1 and Tango No. 2 have failed. What will become of the third tango?

As they enter the final year in high school, a group of friends encounter a series of personal issues.

A police officer receives a worn-out and traumatised woman who begs him to take actions against a ruthless man that ruined her life, and only gives his moniker, Tín Mã Nàm, meaning “crazy horse” in Cantonese. As the officer sets out to search for Tín Mã Nàm, a network of intricate crimes, espionage and bloody murders beyond his imagination begins to unfold.