Paikar

Afghani refugee Ali and his brother have just arrived in Turkey where, surrounded by many other refugees, his family tries to build a new life. The boys earn their living shining shoes. When one day their spot has been taken, their fragile existence and dreams of a better future hang by a thread.

An illegal immigrant is reminded of his origin by the melodies of an instrument of his birthplace Bumiyan, Afganistan. However, the musician playing the instrument claims that the melodies aren't from Bumiyan, but from Kurdistan. But where is Kurdistan?

The film is a triptych at the border between autobiographical fiction and experimental film essay. Montage and self-projection are employed to question the notions of authority, history, imagination and home.