Sarah McCoy @ Piano Day 2024

With the participation of Aloïse Sauvage, Madeleine Cazenave, Joep Beving, Legowelt, and Chloé Antoniotti, ARTE Concert celebrates Piano Day with a musical stroll through the new spaces of the Théâtre Nanterre-Amandiers.

Gael Rakotondrabe and Léonie Pernet enlarge and compliment each other's worlds for ARTE Concert's Piano Day. One concert, four hands, tons of talent: Everything necessary to thrill the audience at the Palais de Tokyo in Paris, which has been taken over for the occasion.

For ARTE Concert's Piano Day, Christian Löffler and Meredi combine their talents for the first time in a live setting. An exclusive collaboration unveiled on the LAB stage in Nantes.

For ARTE Concert's Piano Day Yann Tiersen strips back to solo piano, alone in front of his keyboard. A gripping performance taking cues from his album Rathlin from a Distance / The Liquid Hour.

For the 5th edition of Piano Day, ARTE Concert invites Guillaume Poncelet, Sarah McCoy, Gael Rakotondrabe, Léonie Pernet, Thomas Enhco and Clara Ysé to the Palais de Tokyo for an evening dedicated to this versatile and timeless instrument.

In the rotunda of the Palais de Tokyo in Paris, pianist Thomas Enhco and singer Clara Ysé demonstrate their startling piano skills. A meeting of jazz and pop orchestrated for ARTE Concert's Piano Day 2024.

With Renaissance, Shani Diluka embarks on a musical exploration of the era of the same name, which laid the foundation for Western thought and sensibility. She focuses primarily on two key centers of influence: humanist Italy and Elizabethan England. Program: I. Renaissance music, emergence and dissemination of the first scores thanks to Gutenberg (Eccles, Dowland, Byrd, etc.) II. Renaissance and early humanists: music of the spheres becomes music of the humanities (Palestrina, Monteverdi, Frescobaldi, etc.) III. The Renaissance and the Golden Ratio: proportion and beauty (Purcell, Handel, etc.) IV. The Renaissance, a decisive legacy in the history of music thanks to polyphony, harmony, and the development of the relationship between text and music (Scarlatti, Bach, etc.)

Hania Rani was born in Poland and now divides her time between Warsaw and Berlin. Between these two cities, the pianist composes subtle and sensitive music reminiscent of Philip Glass or Erik Satie.