Vineyard II

Hunter S. Thompson went to the 1968 Democratic Convention in Chicago as a journalist and returned home disgusted, yet motivated by what he’d just seen: violently suppressed protests, riots, corrupt politicians, and abusive cops. Back in Aspen, he finds more of the same. The local police and sheriff’s departments are targeting young people, harassing and charging them with absurd crimes and trying to push them out of town. Hunter decides he has to do something to change the police brutality that has become the norm.

The South American continent is a land of great extremes, stretching from the Antarctic to the Equator. It has the planet's greatest river system, longest mountain chain, biggest and richest rainforest and driest desert. Using the latest camera techniques, including infrared night vision cameras, rarely seen animals are revealed, while a special aerial camera soars over the continent, revealing an entirely new perspective on its varied and dramatic landscape.

Sir David Attenborough narrates this critically acclaimed series that dives deep into the marine environment of Planet Earth. Although two-thirds of the world's surface is covered with water, scientists know less about the oceans than they do about the surface of the moon. This limited series travels from various coasts to the poles to examine watery denizens ranging from the gigantic blue whale to microscopic coral polyps.

A documentary about a legendary American film maker/aviator Robert Fulton who was contracted by the BBC to film aerial cinematography throughout South America.

The opening of China to the West has produced images that focus on the more obvious: the Great Wall, the Forbidden City, the tombs of Sian. But there is another much larger part of China which we have not seen. It's the China of people, its rhythms, its patterns, its colors. This video brings us to the large and timeless world of life in China, as it is lived now and has been for centuries - vast, unchanging, and slightly mysterious. Here is but a glimpse of this other world. This dreamvideo was filmed during the months of October and November of 1986 in and around the following cities and locations: Beijing, Chengdu, Guiyang, Guilin, Yangshuo, Xingping, Yangai, Nanjing, Huangshan Mountain and Hefei.

An impressionistic film shot in Cuzco, Machu Picchu, and outlying villages of the Andean center of Peru's Inca Empire. Inca Light captures in a fast fluid motion impressions of life today that refer us to the past society that has also dwelled here.

David Attenborough sets out on an intrepid quest across seven continents to create a unique television event to celebrate the wealth of natural features that makes Planet Earth so varied, so distinctive and so spectacularly beautiful.

Crashing waves, the cry of a gull, silence.

Filmed in Kenya, Tanzania, and Uganda. Beginning with Genesis, the film follows the progress of civilization through to modern day Nairobi. Biblical themes combine with pulsating African music, wild animal sounds, and vivid imagery. Unusual juxtapositions of Bob Fulton's quick cuts and Brown's big lens shots of mega fauna and tribal dances mesmerize viewers.

Fulton made the film during his brief time at Harvard, where he had been invited to teach by Robert Gardner, his friend and collaborator (Fulton would later serve as a cinematographer on Gardner’s 1981 documentary Deep Hearts, among others). Reality’s Invisible could be described as a portrait of the Carpenter Center, yet it is a portrait of an extremely idiosyncratic and distinctive sort. Fulton moves us through the concrete space of the Center’s Le Corbusier-designed building—the only structure by the architect in North America—but, more centrally, presents us footage of students making and discussing their work alongside figures like Gardner, theorist Rudolf Arnheim, artist Stan Vanderbeek, filmmaker Stan Brakhage, and graphic designer Toshi Katayama.

Nature is our common impressional and biological ancestor. Its history is now, an open book of essences which we have largely, through the intervention of the industrial state, forgotten how to read. This film is a return to immanence, a restorative immersion, and does what film is best at: inducing a mood of informative ecstasy.

Glen Denny observed: "This film is not ocean, it is panther stalking jungle." Camera flows because it is free to move through space.

Short film by Robert Fulton.

Nature, gymnastic movements, a cat...

Acid rain, economic development, and a century of mining pollute Rocky Mountain waters.

After two years of filming, director Howard Brookner brought inventor and photographer Robert E. Fulton III a trunkful of William S. Burroughs footage to see if Fulton could edit his film. The result was a decidedly experimental 23-minute cut. The director was looking for a more narrative approach, so Fulton’s edit was never used.