The Withered Corpses

In the desert outskirts of Tehran, a solitary man works for criminal networks, carrying and burying unidentified bodies. When he learns he has advanced pancreatic cancer, the distance that separated him from the dead begins to disappear. After one last job, he heads deep into the desert with his opium and the fragments of a buried past, preparing for his own passage.

A solitary man earns his living by making the dead disappear. When he learns he has terminal pancreatic cancer, he embarks on one final journey, drifting through opium-induced visions to find the grave of a woman he once buried.

Shot in Aix-en-Provence, Château Noir is a cinematic homage to the landscapes once painted by Paul Cézanne. Through minimal camera movements and a meditative gaze, the film seeks to translate the act of painting into pure visual rhythm — capturing light, air, and silence as living matter.

Marked by the death of his aunt, iranian director Amirhossein Beik embarks on an intimate journey, fueled by his experience of exile and mourning, to question how our societies treat their dead. A poetic and absurd journey into the fragile links between death, memory, and forgetting.

Filmed during the confinement period in Iran, Fishhead captures fragments of daily life as time stretches and routine becomes absurd. Through minimal gestures and static compositions, the film transforms isolation into a poetic study of silence, repetition, and the fragility of existence.

An intimate portrait of the Franco-Iranian painter Davoud Ghanbariha, filmed in the outskirts of Paris. Through a dialogue between his voice and his paintings, Maintenant et ici explores memory, exile, and the act of creation as a fragile bridge between past and present.