Saagar

A drama symbolizing a new beginning, hope, or a significant turning point

On a dark, stormy night, a young woman appeared near the orphanage. Holding her child close to her chest one last time, she left him at the door and disappeared as quietly as she had come. Only the moon and stars were silent witnesses to her deed, the cry of a desperate soul. "Munna" means "baby" in Hindi. That is what the owner of the orphanage named the foundling. Years passed. One day, a wealthy childless couple came to the orphanage, wishing to adopt one of the boys. Their choice fell on Munna. However, upon learning that the child's mother was alive, they changed their minds and left, leaving a gold amulet around the boy's neck. That night, Munna could not sleep: pain and longing weighed heavily on his little heart. The boy ran away from the orphanage and set off for Bombay in search of his mother. He was determined to find her.

Kardar’s ultra-conservative ode to patriarchy tells of Binod (Jairaj) and Indira (Sitara Devi) who were married as children and never meet as adults. Indira grows into a ‘modern’ young woman while Binod, disinherited when his stepfather has a son, works in a distant village. Indira haughtily refuses a relationship with a pauper but she eventually realises her duties to her husband and goes to meet him disguised as Shanta, a beggar woman. Binod then falls in love with her, not realising she is in fact his wife.

A scientist, whose daughter had died at the hands of a gangster, creates a serum that will give a person superhuman powers. His adopted daughter uses the serum to battle a gang that threatens to take over the city.

The story of Uma and Ramesh, who share a platonic love. Ramesh, an engineer, is dedicated to his villagers' welfare. Their relationship is tested when Ramesh's social ideals conflict with the realities of capitalism. To help Ramesh, Uma sacrifices her fortune and marries another man. However, Ramesh tragically misunderstands her immense sacrifice, leading to a deep emotional crisis in their relationship.

Three love stories that take place simultaneously but do not intersect, because the characters do not interact with each other, even though they all live in the same neighborhood. Govinda, a gloomy Airai boy who was cruelly separated from his beloved girlfriend, Chalvi, who was expelled from the village. Johnny Braganza, a waiter who has just been released from prison after being unjustly accused of falsifying the accounts of the hotel owner, Ferrara, who successfully seduces Johnny's girlfriend, Stella. Now he is setting up a car garage at the same intersection.

An orphaned boy from a fishing village, adopted and educated by a wealthy family, must choose between his sophisticated wife and a new love in his rural birthplace as he dedicates his life to uplifting his long-lost community.

In this stunt-film, Hero Samar (Jairaj) singlehandedly takes on the might of the oppressive state led by the warlord chief (M. Zahoor). He falls in love with the chief's sister Ila (Mehtab) and fights his revolution from the tavern of Dulari (Shirin) with little more than a band of adventurers, a leatherface mask, his faithful dog Tiger, and his horse Bahadur.

A realistic treatment of industrial working-class conditions in a Bombay textile mill.

The film takes place in 19th Century British India and is the story of the fight for independence from the British in the years spanning from 1825 to 1875. It tells the story of two men who led the war against British Rule, Sanga and Bharat both of whom call themselves Kranti.

A loving husband and father's joyful family life is rocked to its core upon the discovery that he has a young son borne from a past extramarital affair.

A ruthless gangster named Don is killed during a scuffle with the police. Since only DSP D'Silva knows of this incident, he recruits Vijay, who is a spitting image of Don, to replace the original Don and infiltrate his gang. D'Silva plans to nab the entire gang, but when he dies during a raid, the secret that Vijay is not Don is also buried with him.

Thakur Virendra Singh lives a wealthy lifestyle in India along with his wife and a son, Kumar. His relative Bihari is envious, and successfully switches his son, Kishan, with Kumar, and also ends up killing Virendra. In this manner, Kumar grows up a wealthy lifestyle, while Kishan lives a poor lifestyle, shunned by his father and his mother, who has lost the use of her vocal chords. Bihari takes Kishan to his brother in Bombay, and leaves him there to lead a life of crime. 20 years later, Kishan has grown up and is now a master burglar. He meets with another burglar, Mary, and both decide to be fifty fifty partners. However, Mary has other plans, she ditches Kishan and joins forces with Diwan Shamsher Singh to masquerade as the long-lost daughter of Ranimaa of Chandpur. Mary does not know that it was the Diwan who has done away with Rajkumari Ratna, and he will not hesitate to kill Mary - or anyone else who dares to stand in his way and the treasure of Chandpur.

José Ferrer and Horst Buchholz star in this fictionalised account of events leading up to the assassination of Indian spiritual leader and independence campaigner Mahatma Gandhi.

This first co-production of the Soviet and Indian cinematographers is dedicated to the Tver merchant Afanasy Nikitin who in 1466-1472 blazed the trade way from Europe to India. The film is based on Nikitin’s travel notes. Starring in the film are popular Russian actor Oleg Strizhenov and India’s 1950s movie star Nargis.

A newly married woman begins to sleepwalk, and her husband suspects she is inadvertently connecting with a lover from a past life.