Grizzly Redux

Young Trail Scouts face off against a seemingly unstoppable Masked Maniac who's been slaughtering campers in the woods.

Damon Packard parodies the making of Star Wars: Attack of the Clones

"In the stillness and the dark before time ever began," opens a faux-trailer for APPLE, "there was a different incantation"; Maverick filmmaker Damon Packard, "the hideous director of DAWN OF AN EVIL MILLENNIUM," tells the story of Apple, an elfin girl who matures into a sorceress of the dark arts named Orb. An unfinished Super 8 micro-epic, APPLE's twenty-seven-minute rough-cut offers a glimpse into a fantastic world.

A surreal meditation on hopelessness and pointlessness as guided by the Arthur Frain/Merlin character from Boorman’s “Zardoz”.

An epic, 20-minute, completely fabricated theatrical trailer for a crypto-Vestron Video cheapie (by way of Willow-era Ron Howard)—a supposedly 18-hour movie about a Jeff Daniels lookalike demon sent to destroy the planet (and possibly the universe) with his "Turbo-power!" Olds dragster. There are shades of John Carpenter's They Live, caffeinated Evil Dead speed-freakery, a cameo by Miles O'Keeffe, and uncanny movie preview clichés, such as sentence prepositions that never reach a resolution: "On an alien planet…the beauty and wisdom of a sorceress…." Sometimes the liner note blurbs speak for themselves: "Damon Packard is to Stephen Spielberg what George Kuchar is to Douglas Sirk."

Julie, a teen who died from a PCP overdose in the early '70s, searches from beyond the grave for her younger brother Bob, who now in the '90s is an obese watch seller suffering with sucrose intolerance.

A talented, but unbalanced girl named Foxfur is thrown into a philosophical adventure beyond time and space. Her first goal is to get her friend Khris to drive her to a book store where she's hoping to find some answers, and there she also meets two UFO theorists. She then hears about this thing called The Dead Zone, and she fears that the world she knows might very well be that zone.

When two strange men are thrown out of a mansion party, they take revenge on the socialites with a roll of duct tape and a switchblade.

A radical hybrid of spy, sci-fi, Western, and even horror genres, Craig Baldwin's Mock Up On Mu cobbles together a feature-length "collage-narrative" based on (mostly) true stories of California's post-War sub-cultures of rocket pioneers, alternative religions, and Beat lifestyles. Pulp-serial snippets, industrial-film imagery, and B- (and Z-) fiction clips are intercut with newly shot live-action material, powering a playful, allegorical trajectory through the now-mythic occult matrix of Jack Parsons (Crowleyite founder of the Jet Propulsion Lab), L.Ron Hubbard (sci-fi author turned cult-leader), and Marjorie Cameron (bohemian artist and "mother of the New Age movement"). Their intertwined tales spin out into a speculative farce on the militarization of space, and the corporate take-over of spiritual fulfillment and leisure-time.

Down a seedy city street in her neighborhood, young Enola Penny is obsessed with what appears to be a long abandoned theatre. One night, she sees that the front door is slightly ajar and impulsively decides to sneak inside. But there in the dark, decrepit auditorium, a show unlike any other unfolds before her eyes. Its host is an eerie human puppet named Peg Poett who will introduce Penny to six tales of the bizarre: A couple traveling in a remote part of the French Pyrenees cross paths with a lustful witch; A paranoid lover faces the wrath of a partner who has been pushed to her limit; The Freudian dreams of an unfaithful husband blur the lines between fantasy and reality; The horrors of the real world are interpreted through the mind of a child; A woman addicted to other people's memories gets her fix through the vitreous fluid of her victims' eyeballs; And a perverse obsession with sweets turns sour for a couple in too deep.

A collection of short experimental horror films, some well-known, some not.

"Spacedisco One" is a sequel to both "Logan's Run" and "1984" at the same time with Orwell's Winston Smith running into the daughters of Logan 5 and Francis 7 as they're busy running about a park firing off laser beams at one another. It's not until they meet that Winston realizes they're actually all fictional characters in a movie. When not discussing "Battlestar Galactica" with Stargirl 7 and Francis 8, Winston makes frequent visits to the Ministry of Truth - Universal CityWalk.

Follows the exploits of husband/wife moguls trapped with a deadbeat couch potato brother in a hallucinogenic 1-900 world of 1991. Everyone is plotting to kill everyone else, including themselves, and ultimately do. Inspired by the corporate take-over era of the late 80s/early 90s and all the dark, atmospheric, neo-noir thrillers that came along with it.

Tales of the Valley of the Wind composes an experimental love-letter to the spiritual world of Hayao Miyazaki, re-figuring [Nausicaa] into lush live-action scenes with period costumes, horses, swordplay, and, er...puppets. All on a tiny budget, Packard implements his signature experimental touch to create a very unique fan-film indeed.

In this horror anthology film, three girls pledge the most popular - and cruelest - sorority on campus. For their final task, they must tell the scariest story they know. Containing three distinct stories - one featuring a murderous doll, one a has-been actress and her run in with a film crew of the undead and, finally, a hunt-and-kill fright-fest.

An omnibus of tales of horror and adventure by the master of suspense Damon Packard