Charlie Drake: Drake's Progress

Arena cameras were on hand to film the return of Dire Straits from their triumphant 1980 Brothers in Arms world tour. The film features a superb concert they played at The Rainbow, and band members talk about their music and the pressures and the consequences of success.

In 1987, Robert Crumb presents himself: raised by a Marine father, educated in Catholic schools, married at 21 in Cleveland where he worked for a greeting card company, dropping acid in 1965, heading to San Francisco and getting in on the formation of Zap Comix, gaining celebrity, loving old time jazz, starting a band, living in a commune, meeting Aline Kominsky who became his second wife and his partner in art, having a daughter, and developing a more realistic drawing style. The confessions include his loneliness, his obsessions with women, his bewilderment by fame, his sense of the disintegration of Sixties' subculture, his nervous breakdown in 1973, and his peace now.

Stephen Dwoskin’s final film is a meditation on the subjective experience and cultural concepts of ageing. The film is an ode to the texture, the beauty, the singularity of aging faces and silhouettes, a hypnotic poem in the Dwoskin meaning of the term which is long observations of very tiny details. A gesture, a pause, a look, a moment. Throughout his films intimacy has always played a leading role and this is also true for Age is..., all the faces being close friends, or close friends relatives and sometimes even Stephen himself.

Traces the role of women in British television, from 1946 to 1997.

Documentary on the fascination of jukeboxes and their owners. Made by Arena.

When pop artist Peter Blake confessed that his fantasy was to be the mysterious masked wrestler Kendo Nagasaki, who never speaks and never removes his mask, little did he know what the consequences would be. Poet and television producer Paul Yates, also fascinated by the persona of Nagasaki, read the article and proceeded to research the possibility of Blake painting Nagasaki's portrait as a centrepiece for a film which would also, he hoped, include an exclusive interview with Nagasaki himself. Does he exist outside the ring and, if so, who is he?