Wann kommt der zug der mich nach hause bringt

In a city with constant movement like the subway rides, the paths of Andrés and Miguel are crossing. It seems like the beginning of a new Romance but Andrés doesn't know which direction to take.

Best friends Beto and Daniel spend most of their time together. Daniel struggles with his gender identity just to hide his feelings for Beto. To be himself, he has to overcome his fear by showing Beto what he truly feels.

In a world where men hide their true love and feelings, where a mother turns a blind eye to her son's identity, and where religion dictates that a man may only lie with a woman — is everything we see truly what it seems to be? The latest release from New Queer Visions takes a look at representations of boys and men, how desires are hidden from those around them, and how self-belief conquers doubt. The short films are: Adult (2017); Hello, Stranger [Dag vreemde man] (2016); Little Potato (2017); Juan Gabriel is Dead [Se murió Juan Gabriel] (2018); The Guest [Le convive] (2017); Contestant #4 (2016).

Arturo and Sagi find each other to say goodbye like two stars that have fallen onto the earth to see its wonders before dying.

These are the whispers of the last time two best friends were together one afternoon on the rooftop.

Eden is the queer re-tale of Adam and Eve’s story in modern times. A visually striking story about first love situated in Berlin.

Take a trip on the wild side with these six daring short films from Mexico, Portugal, Brazil, Spain and France that uncover the power of nature and mysticism, family ties that bond yet suffocate, the vagaries of same sex attraction, the pain of memory, the thrill of what's to come. The 6 short films are: Memory of An Afternoon On the Roof [Recuerdo de una tarde en la azotea] (2022); Afternoon Sun [À Tarde, Sob o Sol] (2020); Sweet Water [Água Doce] (2023); Cor Petit (2023); Haiku (2022); The Boy Who Wanted to Fly [El niño que quería volar] (2018).

A mother confesses to her son what she remembers about the experience of being raped as a child. By painfully recalling this traumatic event, she reflects on the sexual abuse of children and the scars it leaves on a person’s life.

Lola is a travesty who lives in a small community in Mexico. She wants to be the godmother in the first communion of her niece, but the church is not going to let that happen.