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The life and work of respected director Douglas Camfield is remembered in this documentary.

In 2004 a documentary was commissioned by the BBC looking back at the Philip Hinchcliffe era of British Television Series Doctor Who and what made those years some of the most popular in the series history.

Cast and crew look back at the making of Terror of the Zygons.

A special retrospective of Peter Davison's tenure as the Fifth Doctor.

A look at the making of the Doctor Who story, The Time Monster.

Actress Janet Fielding talks about playing the role of the popular character Tegan Jovanka and her time on Doctor Who.

A 45-minute look at the making of City of Death, and in particular, the contribution of writer and script editor Douglas Adams.

Writers, directors, actors and other people associated with Doctor Who discuss Patrick Troughton's time as the Second Doctor, from his first appearance at the end of The Tenth Planet to his final appearance in The War Games.

A retrospective documentary looking at Graham Williams' three-year tenure as Doctor Who producer.

A look at the radical changes made to Doctor Who by John Nathan-Turner for his first story as producer, which opened the programme's eighteenth year on BBC1.

Cast and crew look back at the making of Snakedance. With actors Peter Davison and Janet Fielding, director Fiona Cumming, writer Christopher Bailey, script editor Eric Saward, designer Jan Spoczynski, and new series writer Robert Shearman.

The cast and crew look back at the making of The Androids of Tara.

The Making of The Trial of a Time Lord was the umbrella title for a series of four 2|entertain documentaries. Each covered a different story within the larger fourteen-part serial The Trial of a Time Lord. An instalment of the series was found on each DVD of the The Trial of a Time Lord box set.

A look at the complex production of the Doctor Who story Underworld, with particular emphasis on the difficulties in achieving the bluescreen virtual studio sets.

An overview of the Third Doctor era, with new interviews and archival contributions.

How did the writers of Doctor Who and other programmes take something as everyday as plastic and turn it against us?