Of The Dead

MD+IA=?

Co-directed by Max Devereaux and Igor Amokian, MD+IA=? is a sonic and visual collage that fuses circuit-bent electronics, broken tape loops, glitching drum machines, and free-improvised guitar. Amokian’s footage of modified CRT televisions generating unruly abstractions is layered with Devereaux’s processed iPhone videos, altered through datamoshing and glitch-editing apps. The result is a vivid collision of sound and image—a colorful flux of patterns and distortions where technology’s failures become raw material for improvisation.

Facing

Facing is a short experimental film that turns the grocery aisle into a frenetic canvas. Shot with rapid cuts and a constantly moving camera, the film zooms through product labels until they dissolve into chaotic blurs, streaks of color, and fractured lines. Familiar packaging blurs together in a fast, chaotic montage, where the images overlap and mix until they turn into shifting colors and patterns.

Unfurl

Unfurl is a minimalist short film composed of six contemplative shots featuring different colored plastic bags placed before a dual-camera setup, presented in split-screen from two contrasting angles. Each sequence begins with Devereaux's hand compressing a bag, then releasing it — allowing the material to slowly expand. The initial release is rapid, but the motion soon settles into a meditative, near-slow-motion unfurling, drawing attention to the subtle behavior of shape, light, and texture. Inspired by a live performance Devereaux witnessed of avant-garde composer Takehisa Kosugi — specifically his act of wrapping a microphone in paper during a performance at the Getty Center's Rajikaru! conference — the film channels a similar spirit of experimental material interaction, silence, and focused perception. Unfurl invites viewers to observe slowness and transformation as a form of quiet performance.

Hypnic Jerk

Hypnic Jerk unfolds as a dreamlike tale of a man who buys a banana from a street vendor and is drawn into a strange, shifting journey. Starring Thomas Roman Howell and Matt Bertzyk, the film moves between the everyday and the surreal, with quiet performances that bring depth and nuance. Through oblique gestures and subtle shifts in tone, Devereaux shapes a disorienting narrative that hovers between waking and sleep, humor and unease.

Digital Smoke

Digital Smoke is an experimental meditation on light, memory, and distortion. Shot at twilight in Minneapolis’s Loring Park, the film captures the moment just after sunset, when street lamps flicker on and reflect across the lake. As Devereaux moves the camera backward and forward, fading light introduces digital noise. Rather than correct it, he amplifies the imperfection, layering light trails until the noise becomes ethereal white clouds—“digital smoke”—that dissolve the boundary between image and abstraction. Frames evoke the hazy textures of J.M.W. Turner and the pixelated aesthetic of early video games, blending painterly romanticism with digital fragmentation.

Lazy Boy

Lazy Boy unfolds in long, unhurried takes that mirror the stillness of its subject: a full-time furniture salesman in the South Bay of Los Angeles, working through the quiet despair of an economic recession. With customers scarce and sales impossible, the film lingers on stalled transactions and empty showrooms, transforming the monotony of labor into a portrait of endurance.

Different Love

Max Devereaux and Suko Pyramid documentary about the making of their first three albums together as a duo and the story of their inspiring, international collaboration. Produced entirely remotely, featuring never-before-seen photos, videos and audio as well as interviews with close collaborators from all over the world.

Mineral Bar

Mineral Bar is a meditative short film shot on location along the North Fork of the American River in Colfax, California. The film focuses on the natural interplay between rocks and rushing mountain runoff, capturing the hypnotic dance of crystal-clear water as it flows, ripples, and reflects light in ever-changing patterns. Through lingering shots and immersive sound design, the film highlights how the cold Sierra Nevada waters sculpt and animate the riverbed, creating a quiet yet dynamic visual experience.

Rush Light

Shot in downtown Minneapolis, Rush Light assembles a rapid montage of fleeting street compositions. Through quick cuts and sudden shifts, Devereaux creates a collage of ready-made visual moments—buildings, signs, shadows, and chance alignments glimpsed in passing. The film operates as both a study of three-dimensional space and a meditation on the eye’s ability to seize upon images in a split second. Color, light, and shadow flicker across the frame, transforming the city into a shifting field of accidental design.

Emergence

Made in response to Brakhage’s The Act of Seeing with One’s Own Eyes, Devereaux turns his camera on the gardens of Loring Park in Minneapolis, attempting with reckless abandon to capture every flower in sight. The film emerges as an impressionistic study of color and form—fragments slipping out of frame, dissolving into blur, or flaring into pure surface. These fleeting images converge into unpredictable patterns of sensation and meaning.

Opposite Environments

Filmed over five years across varied sites, Devereaux gives quiet attention to the shifting sensations of place. From rain and snow to beaches, mountains, and city streets, the film traces environments in contrast: rural and urban, water and land, summer and winter. These images, held in long takes, resist narrative flow, instead assembling a meditation on how landscapes provoke moods, memories, and ideas.

Waking Up

Waking Up is a quietly introspective short film shot entirely on location in Japan during Devereaux's first tour in the country in September and October of 2024. Filmed across Tokyo (Nakano, Ekoda, Shinjuku, Chiyoda, and along the Chuo Line), Matsumoto in Nagano, and Ukyo in Kyoto, the film captures fleeting, seemingly mundane moments that held deep personal significance for the filmmaker. Each shot captures a distinct moment when Devereaux felt his nervous system decompress just enough to be inclined to film — moments of stillness and clarity amid the motion of travel and creative exploration. Waking Up is both a poetic travelogue and a personal awakening. Echoing his own words — "When I arrived in Japan, it felt like I had finally woken up from a bad dream" — the film offers a meditative window into moments of quiet revelation, captured not for spectacle but for memory.

Introduction to Crack Sealing 3

Drawn again from footage shot in the Torrance Public Library parking lot, Introduction to Crack Sealing 3 remixes material from the first two films into a new visual texture. Where the earlier works traced and fractured the asphalt lines, this version overlays them through double exposures that randomly overlap and fade in and out. The result is a shifting, layered surface in which gestures collide, blur, and dissolve, creating a cracked field of inscription.

Introduction to Crack Sealing

Filmed in the parking lot of the Torrance Public Library shortly after its surface was repaired, Introduction to Crack Sealing traces the calligraphic gestures left by flexible rubberized asphalt. Devereaux’s camera follows the wavering lines, skipping from one to another, turning the utilitarian marks of maintenance into strokes of abstract drawing. Silent and pared down, the film reframes the parking lot as a field of accidental composition, where repair becomes inscription and the act of seeing becomes a study of gesture itself.

Not a Day Goes By

Shot in a series of long-takes over several days, the film follows a flower shop attendant (played by Devereaux, then actually employed at a small flower shop by the beach) in fragmented detail. The order of scenes resists chronology: moments recur, shift, or vanish, creating not the passage of a single day but the jumble of many, refracted into a meditation on routine and its quiet abstractions.

Madrona Marsh

Shot in long, contemplative takes, Madrona Marsh lingers on the last remaining vernal freshwater wetland in Los Angeles’s South Bay. Amid Torrance’s dense urban sprawl, the film observes the marsh as an unlikely oasis—home to birds, fish, insects, reptiles, and moments of quiet human presence. Influenced by the rhythms of slow cinema’s great masters, Devereaux shapes stillness and habitat into a meditative portrait of fragile ecology and the persistence of life within an urban environment.

28 Weeks Later

Twenty-eight weeks after the spread of a deadly rage virus, the inhabitants of the British Isles have lost their battle against the onslaught, as the virus has killed everyone there. Six months later, a group of Americans dare to set foot on the Isles, convinced the danger has passed. But it soon becomes all too clear that the scourge continues to live, waiting to pounce on its next victims.

Resident Evil

When a virus leaks from a top-secret facility, turning all resident researchers into ravenous zombies and their lab animals into mutated hounds from hell, the government sends in an elite military task force to contain the outbreak.

Resident Evil: Apocalypse

As the city is locked down under quarantine, Alice finds out that the people that died from the previous incident at the Umbrella Corporation have turned into zombies. She then joins a small band of elite soldiers, who are enlisted to rescue the missing daughter of the creator of the mutating T-virus. Once lack of luck and resources happen, they begin to wage an exhilarating battle to survive and escape before the Umbrella Corporation erases its experiment from the face of the earth.

Re-Animator

Conducting clandestine experiments within the morgue at Miskatonic University, scientist Herbert West reveals to a fellow graduate student his groundbreaking work concerning the re-animation of fresh corpses.

Gangnam Zombie

Citizens from upscale Gangnam in Seoul start experiencing unusual and terrifying symptoms, devolving into inhuman creatures, leaving only a few survivors with the possibility to make it out alive.

Silent Night, Deadly Night

After witnessing his parents' brutal murder on Christmas Eve, Billy transforms into a Killer Santa, delivering a yearly spree of calculated, chilling violence. This year, his blood-soaked mission collides with love, as a young woman challenges him to confront his darkness.

28 Days Later

Twenty-eight days after a killer virus was accidentally unleashed from a British research facility, a small group of London survivors are caught in a desperate struggle to protect themselves from the infected. Carried by animals and humans, the virus turns those it infects into homicidal maniacs -- and it's absolutely impossible to contain.

The First Omen

When a young American woman is sent to Rome to begin a life of service to the church, she encounters a darkness that causes her to question her own faith and uncovers a terrifying conspiracy that hopes to bring about the birth of evil incarnate.