Foucault

A general's daughter lives in Tambov, in love with a street artist, whom her father disapproves of. The general has a twin brother who heads a criminal gang. Two unsuccessful robbers fail the task, which triggers a string of events that will change lives and destroy families.

Otto, a young man working at a Moscow fashion house, is preparing for his wedding to his fiancée, Maria. At one of the shows, he meets a teacher he had a crush on in his youth. Their feelings are rekindled. This relationship leads to a series of problems and misfortunes, culminating in a murder in the very heart of the fashion house. This story has narrators—they debate throughout the film the artistic direction of scenes, the genre, and even the color scheme of the characters' outfits. Whether it's a classic detective story, a French comedy, or surrealism in fashionable tones—the viewer will have to decide at the very end.

A story about a single father who makes a living creating provocative performance art. In the eyes of society, his work and choices in raising his little daughter are unacceptable.

This is the story of an artist who makes an experimental film, knowing that it goes against all the rules of the film industry. His film is about a young girl who wanders around Moscow with a gun in her purse, looking for UFOs, and his style of storytelling is unacceptable to modern society. How can an artist make an avant-garde film for the film market, knowing in advance that the market does not want it?