NEAR CRASH, STILL SCREENING!

Kua, a film student who shares his experiences, reasons, and ways of thinking that shaped his love for cinema, as well as what cinema has brought into his life, told through the eyes of Aaron, his close friend and future cinematographer.

Fragments of a contemplative essay film drifting between memory and dream. I see an old man haunted by an elusive voice, and a fading childhood quietly watching over him, in a space where prolonged sleep blurs the boundary of what is real. This is a story written from elsewhere a place where I listen, observe, and record his story, in an attempt to weave together images of family, and the quiet violence of growing up.

An obsessive finger-snapping office worker begins to encounter strange behaviors from those around him, which escalate over time. Meanwhile, black liquid starts to seep across his body.

Tomorrow, a man will direct his first feature film, but, that night, something happens.

A college student's abrupt awakening in the dead of night leads him to a mysterious corridor, causing a sudden nosebleed and an encounter with a shadowy figure silently watching him. But this wasn’t the first time it had happened.

Thailand, 2030 — In an era where the government has legalized euthanasia through the organization ITB (In The Blink), Doc, a middle-aged “Negotiator,” is tasked with screening and evaluating those who request to end their lives for valid and justified reasons. But when a radical youth movement demands the legal age for euthanasia to be lowered — sparking debates over whether life’s achievements should come early, or even matter at all — tensions erupt and spiral into a crisis Doc and the organization could never have foreseen.

The film chronicles the historical wounds inflicted upon the Communist Party in Phatthalung and neighboring provinces, interwoven with the events of the Thai state, including instances of people being killed, pushed down hills, and burned in red tanks. Despite the passing of many decades, the story of the people's struggle endures, and the lasting scars from those events remain unhealed.

Memory and Dreams is a hybrid documentary video essay and a personal record of memory, built around Kua’s recollection of a dream in which his grandmother appeared to him before she peacefully passed away. This record is woven from moving images and audio recordings made with his grandmother, both before and after her passing.

Our Conversation in the Afternoon at the Park

I see moving images woven through light, images of myself, my experiences, and moments from my life that I can still remember. Passing through dreams as a montage, these images are projected onto the body of an old man sleeping in solitude. A personal video piece derived from a fragment of the projected imagery in myself, elsewhere (2025), this work contemplates the self through this fragment...

My heartfelt sympathies go out to the political prisoners and victims who have suffered under the Thai state during the three periods of Thai political history.

Our Conversation Through Video Call, Leading Her into the Realm of "Force"

Two men are arguing whether what they see is fog or smoke.

In a quiet bedroom, beneath the blanket, two men begin to talk about their fear of a ghost that haunts them, leading to an unexpected space of conversation.

It all starts with him having to pitch a product to a client. The product is glasses. This turns into an action film where martial arts warriors battle it out, with the glasses serving as a game-changing power in the fight.