Naomi Osaka: The Second Set

17 years after controversial Vancouver Grizzlies NBA star Bryant ‘Big Country’ Reeves leaves town, super-fan Kat Jayme goes on a mission to find her childhood hero and tell the story of this forgotten legend.

To die-hard fans of NBA franchise, the Vancouver Grizzlies, like filmmaker Kat Jayme, the team’s abrupt move to Memphis in 2001 is much more than a sore spot, it’s an unsolved mystery and possibly a criminal conspiracy. What begins as a superfan’s investigation into her hometown team’s disappearance, becomes a love letter to the worst professional sports franchise in history, and an exploration of the deep roots of fandom.

As a young fisherman cruises along a rugged shoreline, a tiny mouse in Haida regalia appears and starts to knit a blanket. A story unfolds on the blanket as it grows longer, illustrating the ancient tale of Haida master sea hunter Naa-Naa-Simgat and his beloved, Kuuga Kuns. When a SGaana (the Haida word for “killer whale”) captures the hunter and drags him down into a supernatural world, the courageous Kuuga Kuns sets off to save him. Will the lovers manage to escape the undersea Mountain of SGaana, or will they, too, become part of the Haida spirit world forever?

On June 15, 2011, the Canucks’ Game 7 Stanley Cup Finals loss to the Boston Bruins sparked a massive riot in downtown Vancouver. Police cars were overturned and burned, windows were shattered, stores were looted, and waves of young people were caught up in the mayhem. From directors Asia Youngman and Kathleen Jayme, “I’m Just Here For The Riot” chronicles the aftermath of the event captured on hundreds of cell phone cameras, with the rioters outed, shamed, and their lives altered forever. From the mob mentality in the streets to similar vengeance in the online hunting of those responsible, it was a dark moment in the city’s history – one that raised deeper questions about fandom, violence, and the shocking power of an angry crowd.

Documentary about the Holy Angels Residential School in Alberta, where hundreds of First Nations children were imprisoned.

Paul Sun-Hyung Lee shares his love of family, acting and toys.

This short film is a portrait of Tofino, BC intertidal artist Pete Clarkson as he crafts his most ambitious and personal project to date: a memorial to the 2011 Great East Japan earthquake and tsunami. He, like so many of us around the world, was deeply affected by the disaster. Years later, as splintered and mangled timber and other objects started to wash ashore, the disaster hit home again for Clarkson, and the inspiration for his memorial was born. In Clarkson’s caring hands, the remnants from the Tohoku region take on a life of their own as he shapes them into a unique public sculpture. The result is an evocative memorial that is a site of remembrance and contemplation, and an emotional bridge connecting an artist, his community and a people an ocean away.

Farm Crime is a true crime documentary series exploring the largely unseen dark side of Canada’s agriculture industry. Each episode examines a case that wouldn’t typically make the front page. Instead of kidnappings, cold cases and serial killers, the series examines the fascinating, lesser-known incidents that unfold in the margins – the fields, farms and unassuming small towns that dot the Canadian countryside. Rare sheep gone missing. Potatoes sabotaged with sewing needles. A multi-million-dollar pigeon breeding Ponzi scheme. These are farm crimes, and they exact a real toll on rural victims who don’t always get their due. Farm Crime approaches these stories with respectful curiosity, focusing on the people at the centre of the incidents, seeking answers, closure and justice.