Aluminosa Espera do Apocalipse

Reimagining scenes from the iconic Man with a Movie Camera (1929, Dir. Dziga Vertov/USSR), Man with a Cellphone Camera delves into the creative potential and image manipulation in the era of social media.

Cosmopolitan and provincial, Curitiba can be a good synthesis of conflicts. Through the stories of four characters who don't know each other but whose fates are intertwined—a car dealer, a motorcycle courier, a bus driver, and a paper collector—the film chronicles the daily struggle for survival.

There are those who sleep. There are those who don't. Tormented by insomnia, lack of air, incontinence, intestinal gases, rheumatic pains, nocturnal coughing fits, bronchitis, remorse, fright. Sleepless nights, easy victims for backyard demons, invisible from the street. Nobody sees it, but the backyard ghost is there, attentive. Nobody can free themselves of evil!

Euller Miller is a young native Brazilian of kaiwá ethnicity who leaves his small village just outside of Dourados (MS) to study dentistry at a public university in the crowded capital city of the state of Paraná. The film follows the complex transition between two very different worlds and the search for new horizons without abandoning his indigenous roots.

An astronomer is forced to leave the city where he lives in order to save his relationship. He ends up returning to the place he never intended to come back: The small town where he was born, stage of a great childhood trauma. Once there, he will discover the truth that will change his life forever.

In order to escape repression in his country, Latin American political militant takes refuge in the coast of Paraná, where he lives in the constant expectation of being discovered and eliminated.

Life and work of Vladimir Kozák.

(1979, Super 8, Color, Experimental)