Post-Haste

Osbert Lancaster, James Fisher, John Ormston and Ralph Vaughn Williams meditate on the history and culture of England.

Documentary short by Humphrey Jennings

Edward R. Murrow narrates Humphrey Jennings' short documentary about life in England during wartime.

The Eighth Army famously adopted a German song in the Western Desert. The Crown Film Unit traces the journey of Lili Marlene from its composition in post-WW1 Hamburg, via Radio Belgrade and the Afrika Korps, through victory in Tunisia and Sicily, to an imagined post-war East End, full of light, music and bananas for sale.

Shot in mid-1939 as S.S. Ionian (also shown as Her Last Trip), Humphrey Jennings’s GPO short follows the Royal Mail steamer on a last peacetime run through the Mediterranean—Gibraltar, Malta, Alexandria, Haifa—under the gaze of the Mediterranean Fleet (HMS Barham, Malaya, Warspite). After the Ionian was sunk by a German mine on 29 November 1939 en route from Crete to Hull, the film was recut and released as Cargoes.

This experiment was a “prestige advertisement” for Shell Motor Oil. As conventional animation became dominated by Walt Disney, many European filmmakers turned to puppets as an alternative, and Lye enlisted the help of avant-garde friends such as Humphrey Jennings and John Banting to make the amusing puppets. Exploring the still-complex color process, which involved the combination of three separate images, Lye creates such a vivid storm scene that reviewers hailed it as “proof that the color film has entered a new stage.” The music is Holst’s The Planets. - Harvard Film Archive

Londoners prepare for war.

A narrator recounts the state of Great Britain near the end of WWII via a visual diary for the titular baby boy born in September 1944.

The true story of the massacre of a small Czech village by the Nazis is retold as if it happened in Wales.

The harvest of a pre-war British farm.

The Heart of Britain (1941) depicts wartime life in the North and Midlands, contrasting tranquil countryside with the grit of industry. From Sheffield steelworkers and Lancashire cotton mills to ARP squads, concerts, and choirs, the film highlights resilience in the face of bombing and concludes with the building of a Whitley bomber as a symbol of Britain’s strength.

Humphrey Jennings’s wartime short rallies Britain’s countryside, showing fields ploughed up from fallow, seed sown, and crops raised on once-idle land as part of the national push to feed the home front—an urgent, lyrical call to turn soil into sustenance.

Poetry by Rudyard Kipling, John Milton, and William Blake, and excerpts from speeches by Abraham Lincoln and Winston Churchill, all read by Laurence Olivier, illuminate documentary footage of England during its defense against the Nazi blitz in World War II. This short film serves as both propaganda and as a rallying cry to the British people.

Humphrey Jennings’s Crown Film Unit short on the summer 1944 V-1 “doodlebug” campaign, tracking a salvo from the coast toward London as it runs Britain’s layered defenses—coastal AA guns, RAF fighters, and barrage balloons—capturing both interception and impact in a stark report of terror and resilience.

One of the last voyages of a commercial sailing ship on a trip from Cornwall.

Short documentary on the use of the V-1 Flying Bomb during the German bombings of London.