In the Fever of the Dawn

In the early morning, Luiz Miguel wakes up and, when his parents don't show up after he calls, the boy realizes he has the difficult task of going to the bathroom alone without being noticed by the terrible Swamp Monster that lives under his bed.

Rosa and Maria are mother and daughter who have a troubled relationship. Despite not showing affection, Rosa makes courageous decisions to ensure that her daughter, Maria, follows a different path from her own in all areas of life. The movie takes us on an exploration of the lives of two generations of black women from the same family, revealing a plot of love, conflicts and mutual understanding.

Bruno, a curious boy, is delighted by the arrival of new neighbors and tries to get to know Ana, the daughter of the newly arrived couple. Ana's father is strict and prevents a friendship between the two. Determined, Bruno finds a way to talk to Ana secretly through a toy called "Telephone." Little by little, Ana shares her difficult reality, marked by fear of her violent father. Bruno tries to seek help, but no one believes him. Ana's father discovers everything and cuts off contact between them. Undeterred, Bruno tells his mother, who reports the situation. When the police arrive, Ana's family has already left. Days later, Bruno continues his life, but cherishes the memory of his friend, feeling that, in some way, they are still connected.

The film follows Samira and Thalia, two characters who reflect on their personal experiences with cinema, exploring how this relationship is built in everyday life.

Cornélia is on her way to meet her wife, Carmem, at a restaurant that holds special memories for both of them. As the meeting unfolds, small cracks appear in their conversation and silences, revealing hidden layers of their relationship and leaving the impression that not everything is quite as it seems.

The film chronicles the descent into madness of Eduardo, a man who suffers from mutiple identity disorder and just recently lost his younger brother Kaio.

In the Human Resources conglomerate of Hell, where employees eternally toil in perpetual justice, veteran employee Ruth Honda faces an unprecedented dilemma: a convict appeals his sentence, claiming innocence. While attempting to resolve the case, Ruth and her colleagues find themselves trapped in a labyrinth of absurd procedures and eccentric figures, exposing the ironies and contradictions of a hellish work system.