Red is the orangest color

“The voices of early 20th-century writer tell of the brutality and oppression in Belgian-ruled Congo. The letter, rendered in the Northern Thai dialect, echo alongside the monuments and government buildings of Chiang Mai, unveiling the complex history of centralized power.”

A documentary following a scam victim who gathers evidence of online concert ticket fraud to get a refund. But speaking with an investigator reveals how complex justice limits her hopes for resolution.

After returning from her father’s funeral in October, a young girl senses she’s not alone, something has followed her home.

An experimental film revisiting the entangled histories of borders, ancient sites, nationhood, and politics—emerging from the Thai-Cambodian border conflict under the shadow of colonial cartography, modern nation-states, and Thai political tensions.

A couple’s conversation unravels a film shaped by memory, where images and sounds reconstruct a past marked by state violence.

A young boy is in a state of lethargy, lacking the strength to live because he had to live in a loop in the room until one day he went on an adventure in the world of dreams and returned to connect with himself again.

Director confronts with his grandfather who used to work in Mae Moh power plant, exploring the atmosphere of local conflict and the many debates that arise from the existence of the power plant, including issues of toxic leaks, eviction from mining sites, and the future of Mae Moh when coal runs out in the future.

A girl from another world wakes up in the body of a young boy and must try to mend his crumbling relationship (with his activist girlfriend) amidst the strangeness of politics in this parallel world.

Images and sounds from the protest dispersal move erratically across the digital world, intercut with the father's poetry and memories told through mechanical voices, revealing a history of political violence that has lingered for nearly two decades.